a tribute to rush
A Tribute To Rush
The progressive rock trio RUSH released their first album in 1974. Shortly thereafter, Alex Lifeson (guitars) and Geddy Lee (bass, vocals and keyboards) were joined by Neil Peart (percussion, lyricist). After over 40 years together the band has released a total of 20 studio albums, 11 live albums as well as numerous compilation albums, of which 24 have gone gold, and 14 platinum.
Here you will find current news, a complete discography with lyrics, a videography, listings of RUSH members' solo projects and guest appearances, as well as the most extensive RUSH tour archive to be found online or in print. Other resources include a wide-ranging listing of RUSH related literature, cover songs and albums, tributes, a pop culture section and more. Along with the information archive, this site includes a slew of RUSH offerings including album art wallpaper for your PC and Smartphone, and Windows users can utilize Themes inspired by the album art and music of RUSH.
Sirius XM's Classic Rewind will be broadcasting the R40 Live radio premiere Monday night at 6PM on Pat St. John's show. In addition Sirius XM will holding an exclusive Town Hall in New York - "This exclusive event will take place on Friday, November 13 at SiriusXM’s NYC studios and will feature original members Geddy Lee and Alex Lifeson answering questions from an intimate studio audience about their legendary 40-year career..." Click here for more information. - Thanks to David Wholihan and Ed at RushIsABand for the headsup!
You can view the episode here.
"The co-creators of 'Chicago Fire' light up like a five-alarm fire when talking about Tuesday's episode featuring the legendary rock band Rush. 'We've been friends with the Rush guys for years,' Michael Brandt said. 'They're hilarious. Total hams. They did us a favor.' Two-thirds of the Canadian trio - lead singer Geddy Lee and guitarist Alex Lifeson - guest star in Tuesday's installment, titled '2112,' the name of the band's fourth album. The storyline involves Rush performing a concert in Chicago. A few lucky Firehouse 51 fans snag free tickets to the show. 'We've been thinking about [having them on] for four years, so the fact that they finished their last tour and said that they would do it is awesome,' co-creator Derek Haas told me during an interview Monday at NBC press day in Chicago...The initial plan for the episode focused more on race cars than rock stars. 'We originally were approached by NASCAR to do a crossover episode,' showrunner Matt Olmstead said. 'We explored it. As oftentimes happens ... logistics got the best of everybody. So we had to pull that storyline. Instead of getting tickets to a NASCAR event, why not have the firefighters get freebies to a concert, Olmstead suggested. 'Derek's like, "Rush! It's gotta be Rush!"' Olmstead said. 'Thus began the whole process of clearing rights to music. Those guys [Haas and Brandt] wrote the Rush substitute storyline in about five minutes. That came from deep, deep, deep. Lifelong dream realized for those two guys.'" - TVTrippin.com, November 12, 2015
"Rush's Alex Lifeson Says There's Life After R40 Tour: 'I Don't Think It Is the End' - Billboard.com
Rumors of Rush's demise have been greatly exaggerated -- at least according to guitarist Alex Lifeson.- Thanks to Rushfanforever for the headsup!
The Canadian trio's R40 tour earlier this year -- documented on the new R40 Live CD and home video set due Friday -- was accompanied by reports that it would mark the end of Rush, mostly owing to physical ailments suffered by Lifeson and drummer Neil Peart. It may well prove to be the last tour of its kind for Rush, but the band is still very much alive and ongoing, as far as Lifeson is concerned.
"That question was posed many times: Is this is? Is this the end?" Lifeson tells Billboard. "I don't think it is the end, and we never really said this is definitively our last tour. I think it's likely to be our last major tour, but we're still in contact, very close contact with each other, all three of us, and I don't think it's certainly the end of the band. There are still lots of things we want to do. It's not to say that we wouldn't do something in the future on a smaller scale, and there's always the fun project of making a record, which we've all loved forever. Right now I think we're just kind of relaxing and taking it in and getting reconnected with our families and friends and more of a domestic life, and then we'll kinda sort of review it, I think, in the new year and see what we want to do."
Lifeson adds that reports about his arthritis were a bit overstated -- "Who my age doesn't have some aches and pains?" explains the guitarist, who still boasts an impressive 10 handicap for golf -- but Peart's issues with tendinitis are more debilitating. "It's a very difficult endeavor for Neil," Lifeson says. "It's very physical, and it hurts. It's painful for him to play for three hours the way he does, so it's come to a point in his life where he just can't tour anymore." So as much as there's a resolve to do more with the band, there's also an open-endedness that's different from other hiatuses during Rush's career.
"Coming off the tour in August, it was a little bit of an adjustment, particularly to Geddy [Lee] and myself, coming to terms that this could possibly be the end of touring, and what does the future hold for being up onstage and playing," he says. "I think we were in just a little bit of a state for awhile, but we're settling down and it's not bad just kinda kicking back and having this [R40 Live] come out."
R40 Live was filmed and recorded during hometown shows on June 17 and 19 at Toronto's Air Canada Centre. The set, which comes in five different configurations, captures an ambitious, reverse-chronological presentation in which Rush celebrated its career with time-appropriate props and instruments, right down to an encore segment featuring Rush playing songs from its debut album in a high school gymnasium setting, with amplifiers sitting on chairs and stools.
"It seemed to be the right thing for us to do this one in Toronto," Lifeson says. "We also had the luxury of having two shows, which is always a great thing for a setup. I think the first night was good, but we had some technical glitches, which you always have when you record, but the [second show] felt great. It was one of the best shows on the tour, we thought, so we had some really good material to work from, and having the two nights and the two different sets, we could include stuff that we played on the [first] night in the final version."
As Rush goes into hiatus mode again, Peart is preparing for the Nov. 20 publication of Clockwork Lives, his second science-fiction novel co-written with Kevin Anderson, while Lifeson has been working on electronic music projects with his son and singer Tyler, and both he and Lee have been "buying up crazy amounts of old vintage equipment, guitars and basses, so we're still active and have it in our blood." And they're not buying those things just to look at them.
"I'm getting very itchy," Lifeson says. "There's nothing specific we're looking at, but I think ultimately I'd like to get back in with Ged and start writing and then have Neil join in and take it from there. That's how we always start: [Lee] and I jamming, and we'll do that for a little while, and then Neil will start sending lyrics and we'll kind of piece it together with what we're doing. So I'm hoping that's somewhere in the near future." - Billboard.com, November 16, 2015
Days before Rush's new CD/DVD/Blu-ray package, R40 Live, hit stores, singer-bassist Geddy Lee and guitarist Alex Lifeson stopped by Rolling Stone headquarters to talk about the new release, and answer questions our readers submitted on Twitter and Facebook. They were happy to field any inquiry, whether it was about their most embarrassing onstage moment, the pronunciation of Neil Peart's last name or their favorite superhero.
Of most interest to Rush fans will be their take on the future of the group as a live act, which right now seems to be firmly in Peart's hands. "Are we going to tour again?" asked Geddy Lee. "That's the question that I'd like to know myself."
That said, they're not closing the door on recording new music together. "We don't have any immediate plans for that," says Lee. "Right now we're on holiday. I hope once the new year rolls around and the juices get flowing and we get hungry again we can talk about that." Does that mean the band is definitely not done? "Not in my mind," said Lee. "But I can't speak for everyone." - RollingStone.com, November 16, 2015
Geddy Lee on the cover of "HOSS" Magazine Coming Nov. 19/Enter the 'Closer To The Heart With Rush' Contest
"The HOSS feature story on Lee inside reveals his passion for collecting vintage bass guitars, some of which line the walls of his studio and home, and how his passions extend to wine, baseball and his commitment to philanthropy.- Thanks to Paul Fitzgerald for the headsup!
An avid Toronto Blue Jays fan, Lee’s home in Toronto is decorated with scores of baseball memorabilia of sorts, reports HOSS Magazine. In 2008, he donated almost 400 signed baseballs from his personal collection – all them autographed by former Negro League baseball players – to the Negro League Baseball Museum in Kansas City. Lee is also an active board member with Grapes for Humanity, a charitable organization that works with the international wine community to raise funds benefiting humanitarian causes around the world.
HOSS Magazine also reveals that he has a vast wine collection: red or white, he has literally hundreds of brands decorated throughout his home. And let’s not forget his gargantuan wine cellar that houses over 5,000 bottles curated from some of the best vineyards around the world, including a host of very hard to find Burgundies.
Both his homes in both Toronto and London feature art that he and his wife have collected over the years that is captive and engaging – artistic in every sense. In a unique sort of way his art collection mirrors his creative, sophisticated and open minded inner-self.
In this HOSS issue, Lee revealed to writer Philip Wilding that his interest in art was piqued by notable photographers, like André Kertész, Paul Strandand, and Alfred Stieglitz. He then shifted his sights towards fine art, and discovered this interested on a major U.S. tour with Rush in the late 1980s.
“It didn’t matter what city I was in, I would go to an art gallery. What kept me sane on that tour was learning about art,” says Lee.
“You can learn a lot by buying the books and going to every gallery you can and seeing what they have there – letting your eyes take it all in,” he says.
Lee indicates in the feature story that he got into baseball ephemera because he has long loved the game. And then he found that something like a ball signed in 1917 made him want to look at 1917 America. For him art is the same. Whatever artist you become enamored with you absorb his life and times, the story behind that existence.
“Case in point, I’m a child of the 50s, so I have great respect for the artists that came in the early part of the 20th century and survived the war,” says Lee. “And their art survived too and has gone on to become important. I think that’s why I’m fascinated by that period of history to a certain extent. They and their work endured. Art goes on and touches us and our history.”
The four-page feature on Lee is a must-read, according to Sean Rice, who is the publisher of HOSS Magazine.
“From the recording studio to the stage, to his homes filled with the things he is passionate about – wine, baseball and art, Lee is fascinating on every level,” says Rice. “Our feature tells a unique story about Lee and his passions, and Rush fans will no doubt have a ‘closer to the heart’ experience with Geddy when they read our in-depth feature on him.”
In terms of the future of Rush, Alex says "I think we need to have a little space, a little time off to regroup and think about what we want to do in the future. If and when we want to record another record and if there's a possibility of us doing something in the future, I don't know. The ball is in Neil's court, clearly." He goes on to say "I write stuff all the time. I have a whole library of bits and pieces and complete songs that I've written at home and in the studio. I think if it looks unlikely that we're going to do much in the near future then I will definitely get into something like that next spring. What sort of project it turns out to be I'm not quite sure, but it will be a musical project. I can't sit around and I just love doing it so much."
"ole is very excited about entering the label services business and building on the foundation of Ray Danniel's storied company, ole chairman and CEO Robert Ott said in a statement. "ole is proud to continue to be the home of Rush and the other great artists with Anthem. We look forward to working closely with Anthem's artists and business partners to further success."- Thanks to Ed @ RushIsABand for the headsup!
As part of the deal, Anthem's long-time A&R director Andy Curran joined ole as GM of labels services/A&R; bringing along Tyler Tasson as manager of label services, while Anthem vp Pegi Cecconi will work as an ole consultant.
"I am pleased that Anthem and its ongoing legacy have found a new home with ole," said Danniels, who will continue as president of SRO Management, which represents Rush and other artists. Daniels said that the deal with ole and Ott gives Anthem Entertainment and Anthem Records a vision for the future while "protecting its past."
Earlier in 2014, ole acquired the Rush publishing catalog, known as Core Music Publishing, and earlier in 2015, the Mark-Cain publishing catalog from Anthem Entertainment. That deal included 40 albums from such Canadian artists as Max Webster, Ian Thomas, Lawrence Gowan, The Reason, Coney Hatch, Boys Brigade, Rikers, Spoons, and Aerial.
The latest deals give ole another 2,100 master recordings and 1,200 audio/visual masters.
In the U.S., Anthem acts are distributed by the Warner Music Group and Concord. Rush, the label's best-selling act, has scanned more than 15 million album units since the advent of Nielsen SoundScan, now known as Nielsen Music, in 1991.
Alex Lifeson, guitarist and co-founder of Rush, said, "I'm pleased to see that Anthem Records has landed with ole, the home of our music publishing catalog. I wish them great success with their new label business. Congratulations to our longtime manager Ray Danniels and CEO of ole, Robert Ott on completing their deal!"
The full interview is now available here.Modern Drummer meets Peart backstage in his dressing room at the New Jersey stop of the R40 tour. The drummer greets us and apologizes for being sock-less. He lies on the couch and points to his feet, which look like Father Time–affected, wear-and-tear evidence of half a century of bringing the power night after night.
Permanent Waves' Paula Turnbull makes VH1's "True Stories Of Iconic Women From Classic Rock Album Covers"
Paula Turnbull – Permanent Waves by Rush (1980)
Shot by photographer Fin Costello and graphically rendered by designer Hugh Syme, the cover of Rush’s Permanent Waves LP makes an unmistakably powerful statement. Its visual centerpiece (albeit off to the right side) is fashion model Paula Turnbull, who poses as a sexy, clueless, panty-flashing 1950s glamour queen on a suburban street where, behind her, Armageddon rages unacknowledged.
Before a single needle hit Permanent Waves’ first groove, Paula’s expertly evocative still photo performance announced that, on the album within, humanity’s premiere prog-metal power trio would be exploring new sounds and different aesthetics—specifically, those of the then hyper-happening new wave movement.
Paula worked steadily as a model before and after Permanent Waves, but her best-known other work occurred two years later, when she reprised her role as the same intriguingly oblivious sexbomb on the cover of Rush’s tremendous live album, Exit… Stage Left.
The vinyl reissues will continue into next year with the final release being Snakes & Arrows. Previous vinyl reissues include Rush reDISCovered, Fly By Night (vinyl and blu-ray pure audio in 5.1 surround sound), Caress of Steel, the 2112 hologram edition, A Farewell To Kings (vinyl and blu-ray pure audio in 5.1 surround sound), Hemispheres, Permanent Waves and Moving Pictures (vinyl and vinyl/t-shirt bundle), Exit...Stage Left, Signals (vinyl and blu-ray pure audio in 5.1 surround sound), Presto and Roll The Bones. These vinyl reissues also include a 320kbps MP4 vinyl ripped Digital Audio album download, and can also be purchased separately as high resolution Digital Audio.
Greetings, all!Alex has been A Brush of Hope's feature artist since 2006. His paintings and limited edition prints (available at http://www.kidney.ca/
I wanted to reach out to all of you to ask for your support of the Kidney Foundation’s Brush Of Hope auction to raise funds for kidney research.
I’ve supported this special programme for many years and my paintings have done well, thanks to the kind generosity of friends and good citizens so please consider helping out with this latest installment or a signed print.
This year’s new installment is titled, “Blind Date Picnic” and you can find it at the eBay link below. It’s a rather strange painting that has been described in some early circles as: “weird, horrid, ugly, familiar, hilarious, terrifying and ridiculous”, all the same thoughts I had when I painted it. When my wife saw it just as I completed it, her helpful comment was, “Oh my God!”…then she started crying.
Now, who can resist such an exciting conversation piece? Imagine your friends dropping by to view your latest art acquisition and leaving immediately in tears and a queasy stomach.
If that one doesn’t spark emotion, you can also get signed prints of previous paintings “Self Portrait #1” and “Greek Salad”. Each print is numbered and signed personally by me.
Every penny counts and your support is truly appreciated.
New original: BLIND DATE
Signed Prints: SELF PORTRAIT #1 and GREEK SALAD