"U.S. Protests Mexi-Canadian Overpass"

"U.S. Protests Mexi-Canadian Overpass", detailing the building of an overpass from Mexico to Canada which bypasses the U.S. One U.S. citizen complains "the honking, the chickens, the sound of thousands of cars going back and forth to Canada and Mexico is more than I can take. I can hear those goddamn radios blaring Mariachi music and Rush all day and night." - The Onion, May 15, 2002

Coming Soon: Rush.com

With little fanfare but after a long legal battle, Rush has won the rights to www.rush.com from cybersquatter Bob Ames.

"Work is being completed on the official Rush website www.rush.com and it will have all the bells and whistles. You'll find tour dates, streaming music, words from the guys, and more!" - Rush Backstage Club, April 5, 2002

Alex Lifeson's "Andromeda"

Alex Lifeson composed and performed the theme music for the first season of Gene Roddenberry's Andromeda, the Star Trek creator's final series which premiered the week of Oct. 2, 2000. The theme is now available as the opening song of the Andromeda soundtrack album. It is rumored that star/executive producer Kevin Sorbo (of Hercules fame) never liked the theme, and was behind changing the theme after the first season.

"It all began when co-executive producer Robert Hewitt Wolfe was talking to executive story editor Ethlie Ann Vare, a former rock journalist (Hollywood Reporter, E! Entertainment Television, ROCK magazine). He said that the top band on his wish-list to do music for Andromeda would be Rush. Inspired, Vare made some strategically-placed calls. Since Alex Lifeson is as big a science fiction lover as some science fiction fans are Rush lovers, he seemed a good fit for the job. Lifeson composed and performed the Andromeda theme, 'March of the High Guard'. Lifeson created the whole piece in his home studio, overdubbing an astonishing 20,000 guitars for a sound quite unlike any other main title theme on television." - www.andromedatv.com, Aug. 2000.

"The strongest composition on this collection is actually Alex Lifeson's invigorating 'Season One Main Title.' The cue lasts for only 59 seconds, but it packs a punch that, for the most part, is lacking throughout the rest of the CD...With the exception of Lifeson's lone contribution, the 25 cues on the collection are all written and played by Matthew McCauley...While McCauley's artificial Andromeda arias are invariably expressive, his tunes are also consistently mediocre and, in many respects, surprisingly rough-edged." - Scifi.com Review

Dave Bidini "The Sweet Rush Of Adolescence"

In The Sweet Rush Of Adolescence, a touching article by The Rheostatic's frontman Dave Bidini, Dave reminisces about his teenage years and "Rush, the first band with which I was truly obsessed with", changing tastes while growing up, and eventually recording with hero Neil Peart in 1992 for the Rheostatic's album Whale Music:

"The Barenaked Ladies were there, too; they'd laid in their background vocal to 'California Dreamline' earlier in the day and together we watched Neil warm up, a chimeric figure in his beaded African hat under the low studio lights. Head lowered, torso centered, feet kicking, his hands glancing over the drums, Neil played all afternoon. His touch was soft when it had to be, but propulsive, too, like a distance runner tugging the flow of blood to his heart. It's one thing to see your hero perform from a distant seat in Maple Leaf Gardens, but it's something else to feel close to his work, as I did that day. At one time in my life, I'd dreamed of what it would be like to simply attend a Rush concert, and there I was at the studio, not 20 feet from where he was crafting a part for a song that would appear on our album....As Neil commanded his kit, he painted my adolescence before me, evoking everything about it." - Dave Bidini, Toronto Star, January 6, 2002