"We welcome the world’s biggest cult band, prog rock royalty RUSH to the cover of issue 13 of Planet Rock Magazine, with a rare and exclusive interview with guitarist Alex Lifeson, and an in-depth look at the making of the band’s biggest album, Moving Pictures." - planetrock.com- Thanks to Joe Pesch for the headsup!
"Evil and Here to Stay is just one of the star studded songs you’ll be playing over and over," says Mayall. "On this particular track you get to hear some great guitar soloing from special guest Alex Lifeson, who feels right at home with this special groove."
"One of the first songs Rush learned to play as a band in front of an audience was Snowy Wood in 1968," says Lifeson. "So are influences go a long way back with John Mayall.
"When I was asked to do this particular project I was actually quite thrilled by it. Long being an admirer of the many amazing guitar players that have been a part of the Bluesbreakers and to be considered in that esteemed group I was very, very honoured, and it’s been a real pleasure." - Loudersound.com, February 20, 2019
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Rock ‘n’ Roll Hall of Famer and Rush bassist Geddy Lee celebrates rock music’s thunderous, rumbly bottom end—the bass—in this unique, lavishly illustrated, full-color compendium showcasing over two hundred rare, iconic, beautiful, and sometimes eccentric bass guitars from his extensive collection.
In this luxurious keepsake volume, Geddy Lee chronicles the fascinating history of one of rock music’s foundation instruments, the bass guitar. Written with arts journalist Daniel Richler, gorgeously photographed by Richard Sibbals, and with insight from Geddy’s trusted bass tech and curator, John "Skully" McIntosh, Geddy Lee’s Big Beautiful Book of Bass profiles over two hundred classic basses from Geddy’s extensive collection. The book combines knowledge and observations gleaned from Geddy’s long, successful career with new and behind-the-scenes photos, ranging from his earliest days to Rush’s sold-out 40th anniversary tour in 2015, plus personal interviews with some of the world’s top bassists and collectors.
A musician and guitar freak, Geddy has acquired the magnificent bass models that have been the backbone of the world’s greatest popular music, from greats such as Paul McCartney, John Entwistle, and Jack Bruce. The book features vintage basses from 1950 through the mid-1970s—the golden age of guitar making.
Suffused with Geddy’s intelligence, taste, and disarming wit, Geddy Lee’s Big Beautiful Book of Bass is also an entertaining look at a legend’s career on stage, in the studio, and at home. Geddy shares his views of the role of the bass guitar in his life and in the lives of the great players who’ve influenced him, revealing his passions and motivations, and ultimately broadening fans’ appreciation of his beloved instrument.
Got my days screwed up yesterday.. today is Thursday and new podcast day with Geddy Lee RUSH now up! PodcastOne or ITunes Free! https://itunes.apple.com/us/podcast/id897720614
"The new issue of Prog is on sale today. It's been 40 years since Rush last recorded a side-long prog rock epic. And that was on the Hemispheres album. With a brand new box set of the album due out, we sat down with Geddy Lee to discuss the making of the album at Rockfield Studios in Wales and its impact on the band's career. We also talk about Geddy's new Big Beautiful Book Of Bass and there's a chance to win your own signed copy too!" - Loudersound.comThe magazine is currently available at issuu.com here.
"The Super Deluxe Edition includes two CDs, one exclusive Blu-ray disc, and three high-quality 180-gram black vinyl LPs. The set encompasses the Abbey Road Studios 2015 remastered edition of the album for the first time on CD, along with previously unreleased and newly restored bonus content consisting of the band’s masterful June 1979 Pinkpop Festival performance in the Netherlands. Unfortunately, the Pinkpop recording engineer failed to capture the first several minutes of “2112,” so an amazing, unreleased performance of the song during the Hemispheres tour from Tucson, Arizona in November 1978 appears here in its place. The third bonus disc contains audio from the album newly mixed from the original multitracks in 5.1 surround sound on a Blu-ray disc, along with four bonus videos: three shot in 1978 as promo videos, and one of “La Villa Strangiato,” originally shot at Pinkpop with newly restored stereo audio.The Super Deluxe Edition of Hemispheres-40th Anniversary will also include several exclusive items, including a 40-page hardcover book with unreleased photos and new artwork by original album designer Hugh Syme; an extensive, 11,000+-word essay by Rob Bowman; The Words & The Pictures, a replica of the band’s rare 1979 UK tour program; a 24x24-inch wall poster of the newly created Syme art; a Pinkpop Festival replica ticket; a Pinkpop Festival replica cloth VIP sticky pass; and a replica 1978 “Rush” Hemispheres iron-on patch.
“Hemispheres was one of our most challenging and demanding records to make,” says Alex Lifeson. “From its inception in a Wales farmhouse where it was written over a 4 week span,” Lifeson continues, “to the very difficult mixing sessions in two London recording studios, it stands as a key transitional album in Rush’s long recording history.”
Hemispheres, Rush’s sixth studio album, was originally released in October 1978, and it built upon the adventurous sonic template the band established on its acclaimed 1977 effort, A Farewell To Kings. The album’s first track, “Cygnus X-1 Book II: Hemispheres,” encompassed the entirety of Side 1 on the original release and was the logical, heady continuation of the epic album-ending Kings track, “Cygnus X-1.” Side 2 commenced with the hard-driving commentary on English culture “Circumstances,” followed by the socially aware and environmentally conscious FM radio hit “The Trees,” and concluded with the instrumental tour de force and longtime concert favorite, “La Villa Strangiato.”
Rush was referenced yet again on Family Guy, during last night's episode, "Regarding Carter." After Brian references the time that Peter was, "the only one not wearing black jeans at a Rush concert", we see the following concert scene flashback unfold:
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