a tribute to rush
A Tribute To Rush
The progressive rock trio RUSH released their first album in 1974. Shortly thereafter, Alex Lifeson (guitars) and Geddy Lee (bass, vocals and keyboards) were joined by Neil Peart (percussion, lyricist). After over 40 years together the band has released a total of 20 studio albums, 11 live albums as well as numerous compilation albums, of which 24 have gone gold, and 14 platinum.
Here you will find current news, a complete discography with lyrics, a videography, listings of RUSH members' solo projects and guest appearances, as well as the most extensive RUSH tour archive to be found online or in print. Other resources include a wide-ranging listing of RUSH related literature, cover songs and albums, tributes, a pop culture section and more. Along with the information archive, this site includes a slew of RUSH offerings including album art wallpaper for your PC and Smartphone, and Windows users can utilize Themes inspired by the album art and music of RUSH.
"Submit your favorite #R40Memories PLUS ENTER for a chance to win a flyaway to see RUSH LIVE in Las Vegas PLUS a Meet & Greet, merch pack, and cash card for your trip!"
For more info visit https://livenation.votigo.com/fbsweeps/sweeps/RUSH-R40LIVE-Kickoff-Sweepstakes
It’s a book about a rock-and-roll legend who loses everything of meaning and embarks on a journey on the back of a motorcycle only to face his greatest fear: The fan. The drummer from Rush, Neil Peart, inspires the story.
"He’s a big mentor, inspiration for me and my writing over the years,” Gibbons said. “When the opportunity came to come to Alaska and experience Alaska and all of its wonder, everything just kind of sprouted from there.”Gibbons came up with the idea for the book after going through a personal turmoil similar to Peart. Published in March 2013, the book is available here. For more info visit ktva.com
The book’s narration was written by music journalist Stephen Humphries and includes in-depth interviews with each Rush band member, Geddy Lee, Alex Lifeson, Neil Peart and artist Hugh Syme. The Art of Rush also contains entertaining anecdotes and commentary from a wide array of notable musicians, actors, athletes, writers, radio personalities and Rush insiders about their favourite Rush album covers, which clearly reveals how vital and impactful the visual representation of their music has been through the years.
The book was originally avaiable for preorder in one of three editions:
- SOLD OUT: Roadcase Deluxe Limited Edition 1/100, numbered and signed by all 3 members of Rush & Hugh Syme. The book will come in a hand-crafted road case designed by Anvil approx. 15" x 15" x 3" in size and will be enclosed in a custom slipcase, and more, for $995
- SOLD OUT: Limited Special Edition 1/250, numbered and signed by all 3 members of the band and artist Hugh Syme, enclosed in a custom slipcase for $495
- Classic Edition, the 272 page hardcover book for $99
For more information visit rush.com/the-art-of-rush/.
- Thanks to John Patuto at Cygnus-X1.net for sharing his raw scans!
Classic Rock has also published online an interview with Geddy Lee and Alex Lifeson titled "We're coming towards the end". Alex looks back on their career, what sacrifices they made over the last 40 years, including his memories dating back to their break-out gig with the New York Dolls in 1974, or being told by Heart's Roger Fisher that Heart would "blow them off the stage". He also discusses how he has been suffering from arthritis for 10 years, and discusses Neil's with tendonitis. Of note is the fact that Geddy Lee is hoping to extend the R40 Tour into Europe in the spring of 2016, provided his bandmates are up to it.
Alex on how Neil took to the R40 Tour: "[Neil] was resistant to it until he started prepping [for the tour] and realised: hey, I can still play my drums pretty good! And then getting into rehearsals with us, there’s that whole camaraderie that he really adores. So when he’s back into the stream, he loves the swim."In addition, Classic Rock has posted an "EXCLUSIVE: RusH Q&A - The Bonus bits", 'The bits of our interview with the Canadian prog legends that didn't make it into the magazine'. You can read it here (watch out, there are some R40 setlist spoilers). Included are comments about many of the band's releases over the years, songs that did or didn't work, thoughts on playing old "pretentious" proggy songs on tour, their plans for when the music is finally over, and more info regarding the chances of the R40 tour coming to Europe:
Geddy on what could bring on the end of touring: "if anything is going to mean that we can’t tour any more like we used to, it’s more than likely going to be the arthritis. Because that’s something that will directly affect his ability to play. And if I was going out on stage and I could not play the way I want to play, or the way I have played in the past, there is no way I would want to do it; I would not want to go out there and be a shadow of my former self. "
Will there be another Rush album?: Alex: "...I’d love to make another record. It’s such a fun experience to make a record.I’m sure if we start coming up with some stuff, Neil would be right in there. He’d love that." Geddy: "Do I feel like we have the mojo to do more records? Absolutely. But I can’t tell you that the other guys agree. I’m not a hundred per cent sure that Neil agrees, I’m pretty sure Alex agrees."
Geddy: There’s nothing on the cards right now. I would say that there are those of us that would prefer to do some dates in the UK and even some European dates, and there’s an opportunity, once we get rolling, to see what we might want to add. But let’s just say that at this point that Neil’s made it clear that he’s good with this US tour being the last group of dates.- Thanks to RushFanForever for the headsup!
Alex: You never know. These past couple of months have been pivotal. It’s shown us, after a year and a half off, how much we really love doing what we’re doing. I think that’s really important in Neil’s case. But when you’ve only got so much time to play with it’s tough....But I’ll say one thing: Geddy feels it’s important that we go back at this time to the UK, to acknowledge the support you’ve given us for all these years. And I agree with him.
Eventually the vinyl reissues will include all studio and live albums through A Show of Hands. Previous vinyl reissues include Rush reDISCovered, Fly By Night (vinyl and blu-ray pure audio in 5.1 surround sound), Caress of Steel, the 2112 hologram edition. and A Farewell To Kings (vinyl and blu-ray pure audio in 5.1 surround sound). These vinyl reissues also include a 320kbps MP4 vinyl ripped Digital Audio album download, and can also be purchased separately as high resolution Digital Audio.
AND THE WINNER IS: Congratulations to Andy Hays, the ONLY person who correctly guessed the opening song. However, Andy has graciously offered to pass it on to the runner up: the winner is Jeff Travis of Modesto who guessed both the second and third songs. Jeff, check your mail later this week for your Chronicles DVD.The time is now again! The R40 Tour starts one week from today in Tulsa, and to celebrate, I'm having a contest for Power Windows readers where I am giving away a Rush DVD. Correctly guess the first TWO songs of the opening night of the R40 Tour, in the order they are played, and you will be in the running to win Rush's Chronicles DVD Collection. To enter, simply email your answers (song 1, song 2), along with your name and mailing address, to firstname.lastname@example.org.
And here's some fine print:
- Only one entry per email address (if you change your mind, the last entry received from a given address will be your final answer), and entries received after showtime will be ignored, so please don't bother.
- Winner will be randomly drawn from correct entries, but if there are no correct entries/no one correctly guesses the first two songs, winner will be based on the opening song.
- If the band opens with a medley or throws us a curve ball, then yours truly will take that into account in considering the final winner.
"As the three of us discussed the songs we would play, it was all about how we and the fans might be able to live it all again - just this once. Because it was quite a ride, wasn't it?" - Neil Peart, "Live It All Again"Neil Peart has written another outstanding essay which is included in the R40 tour book. In addition, Alex Lifeson tells us some stories from the earlier days, such as renting a car and returning it with 11,000 miles on it, and Geddy talks about his latest obsession, collecting basses.
You can check it out here: Rush 'R40 Live: 40th Anniversary' Tour Book.
- Thanks to John Patuto for sharing the transcript!
“He was the one that when I was a fourteen-year-old fellow I thought, ‘Boy, I’d sure like to make those sounds.’ I’m still trying to do that.
"When I was a kid I didn’t have a lot of money so I joined one of those RCA Record Clubs where you got ten records for a penny and then you spend the next three years trying to pay back the albums that they send you after you don’t get back to them in time.
"One of those albums I got was All The World’s A Stage which was Rush’s first live record. I pretty much wore that thing out. Geddy was the one, he was my first big hero. The way he phrases his runs when he’s improvising, I’ll hit a run every now and then and go, yep, that’s Geddy.
"There’s one song we have in particular called Moron TV that was off the last record where the middle section is very much Rush and it’s an homage to those guys. I helped induct them into the Canadian Songwriters Hall Of Fame. I brought my Fungi band which was cello, marimba, drums and bass, and we played Spirit Of Radio.”
Click here for the R40 Opening Night in Tulsa Setlist
Opening Video "The World Is... The World Is..."
Headlong Flight/Drumbastica (drum solo)
Far Cry (Dryers replaced the popcorn machine!)
The Main Monkey Business
One Little Victory
Roll The Bones (with celebrity rappers video: Trailer Park Boys, Paul Rudd/Jason Segel, Les Claypool and Peter Dinklage, more?...)
Distant Early Warning
-intermission/drum kit change-
Video: "No Country For Old Hens"
The Spirit of Radio
Cygnus X-1 "Prologue"
Cygnus X-1 "Part 1"
Cygnus X-1 "Part 3"
Closer To The Heart
Xanadu (featuring the double necks!)
2112 Parts I, II, IV and VII (skipped "Discovery", "Oracle" and "Soliloquy")
Video: "Mel's Rockpile" starring Eugene Levy
What You're Doing
Working Man->Garden Road (snippet)
Ms. Cecconi’s career began while she was still in high school, where she worked as a social convener booking bands through Ray Danniels’ agency. Danniels would go on to found SRO Management, and after Pegi graduated she became SRO’s first employee. Of course, SRO has been managing Rush since the very beginning. For more, visit CMRRA.ca.
Shutt, who attended Fisherville Junior High in Willowdale with Geddy Lee and Alex Lifeson, shared his story of seeing The Mandala concert at the North York Centennial Area with Geddy Lee in 1967. The concert made a huge impact on them. Apparently Alex Lifeson was not present with Geddy, although he was also at this concert and was similarly impacted, as told at the bottom of this post.
"We were both 14 years old going to Fisherville Junior High in Willowdale in 1966, right at the start of the psychedelic era. We were good friends and, like everyone, we bought all the newest albums, tried to look like hippies, and even took the bus and subway down to Yorkville to see what we had to look like to be cool.Alex Lifeson was also present at this concert, and met Mandala's guitarist, Domenic Troiano, after the show. Back in 2013, in a press release announcing the annual Domenic Troiano Guitar Awards, Alex was quoted as saying:
"We went to our first really big show at North York Centennial Arena featuring the two hottest bands in Toronto: The Mandala and The Paupers. The Mandala started the show with their great Blue-Eyed Soul Review. They were dressed in trademark cherry-striped suits. Joey Cherowski was on organ, Whitey Glann on drums, Dominic Trianio on guitar and Don Elliot was on bass. George Oliver sang and danced and jumped around on stage in a frenzy, which earned him his trade mark as the hardest working singer in soul music. The only time he slowed down was when he did the splits and ripped the ass out of his pants, which he changed while the band played an instrumental, the song 'Toronto ’67'. Both me and Ged couldn’t believe what we were seeing. This was great, this was unbelievable. We watched in awe as they finished their set.
"The next band were The Paupers. They started their set with their new hit song Magic People. There was a sound: the fuzz bass played by Denny Gerrard. Me and Geddy looked at each other and decided right then that we were going to play bass, too. Denny stood in his sluggo cap and pounded out an amazing riff that nobody had ever heard before. Little did we know that, during the show, the group, led by Skip Prokop and Adam Mitchell, would let Denny loose to do a 10 min bass solo. When he finished, completely exhausted, he left everyone in the audience stunned by what they’d just heard.
"That week, we begged, borrowed and maybe stole money to buy our own bass guitars and two small amps. I took my bass home and started practicing. I read my 'Introduction to Bass Playing' book. I did scales and learned how to tune the bass. After a couple of weeks, I thought I was getting the hang of playing and sounding pretty good, so I went over to Geddy’s house to show him. When I got there, he had his bass out and one of those old portable record players where, when you opened it up, the speaker would be in the lid. I got out my bass out and said “'kay, let’s do some scales.' Geddy looked at me and said, 'Um, I can’t do scales.' My confidence started to rise. 'I’ll show you,' I told him. 'Just follow me.' Maybe I did have some talent.
"Geddy said, 'Wait, before we do that, let’s listen to this record.' I told him that would be fine. The record started on the cheap portable player and he said, 'Listen, can you hear the bass?' Then he said, 'Look at this,' and started playing. His bass came alive. It pounded the speakers of the 12″ amp and sounded great. I didn’t know if he was copying the record or not because I couldn’t even hear the bass on the record. He did the same thing on the next song and the next one after that. I went home and put my bass away and I don’t think that I ever picked it up again. I guess, looking back, it would have been tough for anyone to compare with the best bass guitar player in the world. I think that both of us made the right decision."
"On June 30, 1967, I saw the Mandala at the North York Centennial Arena. At the side of the stage Donny gave me his autograph and his Mandala button. He told me how important it was to keep practicing and if I worked hard, I might get the chance to stand on stage and play for people some day. I was beaming. He was my first real inspiration and to this day I have a deep love and admiration for a man who truly knew the meaning of soul. I am proud to be a humble part of his enduring influence".- Thanks to RushIsABand for the headsup!
You can watch the full episode here on ABC.go.com, and you can see the Rush related scene below. - Thanks to Mark Daniels, Donald Schwabbauer and John Patuto for the headsup!
Cover Rush to win $5,000, 2 Tickets and Meet & Greet with Rush at R40 Live in Los Angeles, CA and more!
Choose from these songs:
Working Man, Fly By Night, Closer to the Heart, The Spirit of Radio, Freewill, Limelight, Tom Sawyer, Red Barchetta, New World Man, Time Stand StillGrand Prize Winner will receive: $5,000, 2 tickets to the R40 Live 40th Anniversary Tour show in Los Angeles, CA on August 1st, 2015, 2 Meet & Greet passes to the R40 Live 40th Anniversary Tour show in Los Angeles, CA on August 1st, 2015, A meeting with OLE MEDIA MANAGEMENT Creative Rep, A Limited edition Rush Fender Squier Bass, A lyric video of the Winner’s Cover on ole’s YouTube channel
2nd Place Winner will win: $3,000 plus a Rush Swag Prize Pack
3rd Place Winner will win: $1,000 plus a Rush Swag Prize Pack
3 Popular Vote Winners will win Pro status on Indaba Music
For more info and to enter click here.
“I owe our fans so much as they have helped float us support us for over 40 years now. They’re growing devotion to us is not something that I take lightly. I really do appreciate it, and you know, you can never make them all happy— it’s not possible, but we try. I think that the best way for us to try is just to be ourselves. I think our real fans understand that if we disappear for a couple years, it’s because we really need to. If we do things a particular way or if we don’t play that album on a particular tour, that’s just not where we are at the moment and that also comes as part of being a Rush fan.”
The Geddy Lee Jazz Bass has been a staple in the Fender line since 1998, but earlier this year, Fender announced the addition of the U.S.A. version.
The new U.S.A. Geddy Lee Jazz Bass is a unique version that combines the specs and features of Lee’s three favorite basses — two Fender Custom Shop versions of his signature model and the original sleek black ’72 Jazz Bass that he discovered at a pawn shop in Kalamazoo, Mich.
More product details here: http://bit.ly/GeddyLee-JazzBass-YT2