a tribute to rush
A Tribute To Rush
The progressive rock trio RUSH released their first album in 1974. Shortly thereafter, Alex Lifeson (guitars) and Geddy Lee (bass, vocals and keyboards) were joined by Neil Peart (percussion, lyricist). After over 40 years together the band has released a total of 20 studio albums, 11 live albums as well as numerous compilation albums, of which 24 have gone gold, and 14 platinum.
Here you will find current news, a complete discography with lyrics, a videography, listings of RUSH members' solo projects and guest appearances, as well as the most extensive RUSH tour archive to be found online or in print. Other resources include a wide-ranging listing of RUSH related literature, cover songs and albums, tributes, a pop culture section and more. Along with the information archive, this site includes a slew of RUSH offerings including album art wallpaper for your PC and Smartphone, and Windows users can utilize Themes inspired by the album art and music of RUSH.
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From Cradle to Stage, the new book by Virginia Hanlon Grohl is set for release April 25th. The mother of Grammy-winning rock star Dave Grohl, Virginia retired from a thirty-year teaching career, then jumped on tour buses and planes to travel to rock shows throughout the U.S. and Europe with her son and the Foo Fighters. Her next tour, travelling to meet the mothers of other stars, provided the profiles for her first book, From Cradle to Stage. As she watched her son's star rise, she often wondered about the other mothers who raised sons and daughters who became rock stars. Were they as surprised as she was about their children's fame? Virginia often wondered about the mystical force that urges some of us to listen, to play, to surround ourselves with music. She wanted to talk about it with the other mothers whose sons and daughters were sharing stages with Dave, and she decided to seek them out wherever they were. So began a two-year odyssey, where she had conversations with such women from all over the world. One of the chapters in the book is dedicated to Geddy Lee; in it Virginia interviews Ged's mother, Mary Weinrib, about what influenced their child to choose a musical career, and the prevalence of music in their family home. Click to order.
Billboard asked more than two dozen Canadian artists what they thought of Trudeau’s vow to make marijuana legal, and -- if they are all for it -- if they could name a strain, what would it be called and what would it cure or be good for?...Singer/bassist Geddy Lee at first offers Lerxst Kush as their strain name. "That’s him,” he says of guitarist Alex Lifeson. “That’s his nickname.” But then Lifeson comes up with Lerxst Couch instead. “It’s not my forte,” says Lee, “But it is his.” “It is my forte,” says Lifeson. What would Lerxst Couch cure? “It would cure boredom,” says Lifeson. “I was going to say it would cure ambition,” says Lee, laughing. “That’s more appropriate,” Lifeson agrees, laughing too.
Leading up to the event, Billboard.com posted Why Rush Might Be the Most Generous Band In the World:
On April 20, Rush will receive the Allan Slaight Humanitarian Spirit Award for its social activism and support of humanitarian causes, as well as for recognition of its remarkable music career. The award will be presented during the annual Canadian Music & Broadcast Industry Awards gala dinner in Toronto, an event during Canadian Music Week.
"They're giving us an award for doing what everyone should do," Geddy Lee tells Billboard. "It should be a part of everyone's upbringing and routine of life: You share when you've been blessed with good fortune. The world needs a lot of work, and there are not enough workers. We try to help where we can."
RUSH recently celebrated the 40th anniversary of its landmark 1976 album "2112" with a deluxe reissue featuring rare live and previously unreleased material, and, according to Lifeson, "right now there's some work being done on a similar thing with [1977's] 'A Farewell To Kings'." He said: "We're not really involved in that so much; it's a record-company thing, or a publisher thing. We like to be slightly involved, in just giving approvals and make sure that everything's done in a way that we would like to see it."
Even though there are no plans for RUSH to regroup in the foreseeable future, Lifeson revealed that "Ged and I will probably do something together. He's been really busy. He's working on his own little book project. He's become quite a bass guitar collector, and he wants to do a little thing on the history of the instrument. So that's keeping him super busy." As for Peart, Lifeson said: "I'm not sure what Neil's doing these days. He's on the West Coast. He's always got something going on."
Read more at http://www.blabbermouth.net/news/alex-lifeson-says-its-unlikely-rush-will-ever-tour-again/#O5BJOlu1aZsTbi0T.99
"As I said during my speech, I was turned on to them through their second album Time and a Word," Lee tells Rolling Stone after exiting the stage. "I've been a huge fan ever since, just an over-the-top fan of them for years."
As a bassist, Lee was thrilled to be able to perform "Roundabout," a song he considers to be "one of the great bass songs ever written, in the history of recorded music." After already agreeing to induct Yes, Lee had been asked to join them for a performance by the late and influential bass player Chris Squire's widow and the remaining members of the band. "Seeing as I was going to be here anyway, why not?"
As Lee said during his induction speech: "It's not overstating things to say it changed the way I played and listened to music forever. So here we are, decades later, and the music of Yes is still echoing down through the years, showing me that music truly is a continuum."
Lifeson shared the profound influence of the band on his life during the induction speech as well. "Yes were my gateway band in so many ways," the guitarist says. "There's nothing so fleeting yet enduring about the way music feels when you're 17 years old."
Lifeson: We're honored to be here tonight doing this. It's really, really great. We all start somewhere. For me, my journey with Yes began when I was a teenager gently fishing out the Yes album out of its sleeve being just a bit freaked by the disembodied head on the cover, placing the needle on the groove, sitting back, letting the music wash over me. I may have smoked a cigarette or something [laughter] but Yes were my gateway band in so many ways. There's nothing so fleeting yet enduring about the way music feels when you're 17 years old.
As Yes played in my room, I played too. I spent hours picking my way through songs like "Starship Trooper" and "Yours Is No Disgrace." How wonderful is that swirling outro in "Starship Trooper"? I must've played that a million times. But I loved their music. Even more, once I learned to master ... not that I never really did. I never did them justice. But I loved them still. Yes helped give me the gift of music, which is everything as you know. They made me want to be a better musician and that provided some of the determination to one day stand on this stage giving tribute to this amazing band.
I'll leave you with this: the musical choices we make in our youth help to mold who we become. Choose the guitar intro for "Going for the One." Choose learning to play "Starship Trooper" on a cheap secondhand guitar. Choose Chris Squire's amazing bass tone. Choose Jon Anderson's ethereal vocals. Choose Fragile. Choose wearing a cape before Rick Wakeman did. This guy right here. Choose staying out all night to see your favorite band. Choose "Roundabout." Choose the glorious guitar work in "Owner of a Lonely Heart." So beautiful. Choose the Rock and Roll Hall of Fame. And definitely, choose Yes.
Lee: Blah, blah, blah. [Laughter] I'd like to ask the Rock and Roll Hall of Fame to indulge me a few moments to share some personal experiences of Yes, the band. So picture this: in the early Seventies, I spent from one to three years in Grade 10 in high school seated at the back of the class with my new pal Oscar. He sat just across from me, and the teacher's words were bouncing aimlessly off us as Oscar riffed on some of our favorite Monty Python skits. He had me at the dead parrot gag. How could we not become friends? But it wasn't just the Ministry of Silly Walks that we bonded over.
I could still recall one of the days that we opted out of school and were sitting cross-legged on the floor of Oscar's room as he introduced me to an album called Time and a Word by a band called Yes that I never heard of. I still thrill to the bass part in "No Opportunity Necessary, No Experience Needed" the way I did the first time I heard it that day. For years people asked me why I played a Rickenbacker bass, and all I have to do is point to that album, that song and Chris Squire's incredibly original playing. Then Oscar played me "Yours Is No Disgrace" then "I've Seen All Good People." We both sat there open-mouthed as the songs rose up around us and our musical worlds shifted and fell from its axis. I might've been a young musician jamming in basement grooves in Toronto, but through Yes, I was tuning into a wider world of possibilities. One where music seemed to have no limitations.
It was a crisp night in 1972 when Oscar and myself and this guy, Alex Lifeson, wind up overnight around the block in what was then Toronto's Maple Leaf Gardens to finally witness Yes live for ourselves. The sky was a high dome of stars, and as I recall, Alex kept us going by nipping to the store and bringing back honeydew drinks. Really. I could close my eyes now and I'm back there. Intellectually, visually, viscerally sitting in row 10. It was like nothing I'd ever seen or experienced before. It was actually profound.
It's not overstating things to say it changed the way I played and listened to music forever. So here we are, decades later, and the music of Yes is still echoing down through the years, showing me that music truly is a continuum. On behalf of Oscar, my good friend and Alex's Neil, who is not here tonight, Alex and myself, I say thank you, Yes. It's our great, great privilege and our great honor to right a terrible wrong and to finally welcome Yes into the Rock and Roll Hall of Fame.
This year marks the 30th anniversary of Rush’s “Time Stand Still,” to which you contributed a memorable vocal. How did your involvement with the band come about?- Thanks to Stephen Humphries for the headsup!
I’m not sure if they had heard a song of mine or someone told them about me, but they contacted my manager at the time and asked me if I wanted to sing on it. I didn’t know Rush’s stuff that much but I thought, why not? I liked the song and thought the part was really pretty. Originally, Geddy Lee was singing it. He’s got such a powerful voice and I remember saying to him, “Dude, your falsetto is so great. You shouldn’t have me.” But they really wanted to have a different singer on it. I’m very proud that I had that opportunity.
"2017 marks the 40th anniversary of A Farewell To Kings and to kickstart the celebration, Books I & II of "Cygnus X-1" are newly compiled together for the first time ever as an audiophile 180g vinyl EP with brand new artwork by longtime Rush artwork creative director Hugh Syme. SIDE A: Cygnus X-1: Book 1 SIDE B: Cygnus X-1: Book II".
The release will be limited to 5000 copies and will be available at select independent record store locations for Record Store Day on April 22nd. To find participating store locations and to learn more about Record Store Day, visit the website at recordstoreday.com. - Thanks to Joe Pesch for the headsup!
As is sometimes the tradition at the music industry back-patting event, past inductees are invited back to introduce members of the new class.
In homage to their fellow prog-rock torchbearers and kindred spirits, Rush’s Geddy Lee and Alex Lifeson will step onto the Barclays Center stage to wax lyrical about Yes and then hand the honour to Jon Anderson, Bill Bruford, Rick Wakeman, Steve Howe, Alan White, Tony Kaye, Trevor Rabin and Chris Squire’s wife Scottie who is accepting on her late husband’s behalf.
A huge fan of Yes, Geddy Lee said in 2013 that it was “disappointing” and “just wrong” that Yes weren’t inducted alongside his band that year.
Alongside Rush, it has been confirmed that Neil Young will be introducing Pearl Jam. The two acts share a mutual admiration and performed together at the 1993 MTV Music Awards and collaborated on Young’s 1995 record ‘Mirror Ball’.
Young is repaying the favour to Pearl Jam’s Eddie Vedder who inducted him into the Hall of Fame in 1995 calling him "a great songwriter, a great performer, a great Canadian."
Completing the trio of 2017 inductor announcements, Jackson Browne will introduce folk icon Joan Baez at the ceremony.
Also being inducted this spring are Journey, Electric Light Orchestra and the late rapper Tupac Shakur.
-thirds of Rush will introduce Yes at the Rock and Roll Hall of Fame Induction Ceremony on 7th April. As is sometimes the tradition at the music industry back-patting event, past inductees are invited back to introduce members of the new class.
The Tech 21 Geddy Lee Signature SansAmp GED-2112 is a bass preamp in a single rackspace unit that features parallel pre-amping – meaning two separate internal preamps that run in parallel. It has a Drive section based on the SansAmp RPM as well as a Deep preamp section that dishes out a low end boost.
“Saturation goes from clean in lower settings to increased harmonics and tube-like compression in higher settings,” the company writes. “To keep things lean and efficient, the EQ curve is pre-set to Geddy’s personal specs. You can use either section independently or blend them externally direct to a mixing board as well as to two amplifiers.”
Other features include a Blend control, a sweepable semi-parametric EQ, dedicated 1/4-inch and XLR direct outputs for each preamp section, an effects loop with Mix 50/50 switch, a tuner output, a clean 1/4-inch output, and a front panel A/B switch.
“The GED-2112 is really a continuation of my long-time approach to bass tone,” Lee says. “A ‘deep clean’ tone coupled with the ‘edgy crunch’ I get from the SansAmp RPM now all in one box. With selectable A/B inputs, and separate balanced and unbalanced direct outputs, this box is the foundation for great bass tone in any setup. Plus it’s green!”
The Tech 21 Geddy Lee Signature SansAmp: GED-2112 is expected later this year with a street price of $369.
Visit notreble.com for more info.