"Rush, the Canadian band, takes center stage in a captivating comic book biography. With record-breaking sales, chart-topping hits, and an enduring influence on musicians worldwide, Rush's extraordinary journey unfolds within these pages, showcasing the remarkable tale of a band that shaped generations."
Thanks to RushFanForever for the headsup!
BURGAW, NC, April 3, 2024 – Just a few months after the successful launch of the By-Tor overdrive/boost pedal, Alex Lifeson and Lerxst have announced their next pedal collaboration - The Snow Dog. The Snow Dog is an octave fuzz that utilizes the Lerxst two-in-one pedal format to provide a versatile array of modern and vintage fuzz sounds with a footswitchable upper octave effect. The Snow Dog is available now for $295 as a limited-run of 500 pedals available exclusively through the LERXST Reverb Store and also includes a tour pass signed by Alex. For more information and to purchase, please click here.
"Today Was Yesterday is the fresh and exciting new project of Angelo Barbera and Ty Dennis, two friends and veterans of the Los Angeles music industry. Their self-titled debut album showcases their talent and passion for creating timeless songs that blend catchy melodies, meaningful lyrics, and superb musicianship that is inspired by the bands that have left a lasting mark on music history. The album features guitar legends Alex Lifeson (Rush), and Robby Krieger (The Doors), who add their signature sound that helps make this release an instant classic. Today Was Yesterday is more than just a band name, it's a statement of timeless music that transcends genres and generations."
Geddy Lee Asks: Are Bass Players Human Too? is now streaming on Paramount+. All episodes are currently available to stream for subscribers, with the first episode provided for free.
"So this happened…. Out of the solitude of a pandemic lockdown came some ideas.. one of them was this… communing with my fellow Bass Folk to learn a little bit about where and how they live the moment they walk off the stage… Edifying, enlightening and an effin’ blast.. check it out and decide for yourself if Bass Players are Human… too!" - Geddy Lee
Speaking on the phone from his home office, Geddy Lee asks if he can take a second to grab one particular baseball. He knows its story by heart but wants to get it exactly right, in its own words. Of the hundreds of baseballs Lee has collected, this ball is among the least valuable. There are items in his collection worth well over $100,000. They are signed by U.S. presidents and baseball Hall of Famers; they have been thrown in no-hitters and hit for milestone home runs.
But Lee has reached for a ball signed by Bert Shepard, a left-handed pitcher who pitched exactly one game in the major leagues before fading into obscurity. When Shepard signed the ball, he found room between the seams to write his life's story.
"I lost my right leg being shot down over Germany in World War II," Lee says, reading from the ink. "I got a new leg and pitched for the Washington Senators."
At this, Lee starts laughing, but it's an emotional laugh, as if the smile is helping him choke back something more. Lee's parents were Holocaust survivors.
"And then on August 14, 1945," Lee continues, "gave up one run and three hits in five and one-third innings."
It is a box score brought to vivid, handwritten life, and when the bulk of Lee's memorabilia goes to auction next month, that ball will not be among the items for sale. How could anyone put a price on something like that?
"To me, it's kind of just a miraculous thing," Lee said.
If there is such a thing as wholesome indulgence, this is it. Lee, 70, is the singer and renowned bass player of the Canadian rock band Rush. He is in the Rock and Roll Hall of Fame, his signature literally etched into its walls. He is a rock star in every sense of the word.
But Lee is also a meticulous curator of the American pastime. Over many decades, Lee has filled his office with baseball treasures. He has a a 1917 Chicago White Sox ball signed by Shoeless Joe Jackson, a 1942 Negro Leagues ball signed by Josh Gibson, and a Mickey Mantle bat that's been traced back to the 1960 World Series. He also has a ball signed by The Beatles and four signed by John F. Kennedy. It is a collection of Rock and Roll excess, but also of passion and stewardship.
Some 300 items from Lee's collection will be auctioned by Christie's on December 6. It is being billed as "Selections from The Collection of Geddy Lee," and the auction house has estimated The Beatles ball alone to be worth upwards of $300,000. Same for the Mantle bat and a ball signed by Rube Waddell. One of the Kennedy autographs could fetch $100,000. It's a lot of money.
Geddy Lee will be premiering his brand new Paramount+ series Are Bass Players Humans Too? on December 5. Featuring Geddy speaking candidly with fellow legendary bassists like Nirvana’s Krist Novoselic, Metallica and Suicidal Tendencies’ Rob Trujillo, Primus’ Les Claypool, and Melissa Auf der Maur, formerly of The Smashing Pumpkins and Hole.
“I’m trying to show the world that a bass player can do many things,” Lee is says in the trailer. “Join me as I travel to the homes of four bass legends and dive deep into their lives, and their inspirations, plus some fun making music … as I try to answer one really important question: Are bass players human, too?”
Nancy Peart Burkholder, one of Rush drummer Neil Peart's two sisters,
has shared her memories of her brother's passing. Peart died on January
7, 2020, following a three and a half year battle with brain cancer
(Glioblastoma), and his death was announced three days later, on January
10,m 2020.
In conversation with podcaster Kelly Barrett,
Burkholder recalls how family members had to keep the news of her
brother's death a secret for those three days, until the official
announcement was made via Rush's website and social media channels.
“We
had three and a half years to prepare, so we knew it was coming,” she
says. “And then once it happened, we had that week of radio silence
where we couldn’t tell anybody. And then we got - I think we had 10
minutes’ notice before it was going live to the world. So we had 10
minutes to tell everyone that we hadn’t told in three and a half years
that, ‘Sorry, we lied. Everything’s not okay.’ So, yeah, it was a really
hard - that week was the hardest week that we went through because we
knew and couldn’t share it.”
Alex Lifeson breaks down the haunting, legendary solo on Rush’s “Limelight” on the first episode of the new podcast from Foo Fighters guitarist Chris Shiflett, Shred With Shifty. Watch:
Epiphone and Alex Lifeson have announced the release of the all new Epiphone Alex Lifeson "Ruby"
Les Paul Custom Axcess.
Created through extensive work with Alex Lifeson and Gibson, Epiphone's Alex Lifeson Les Paul Custom Axcess similarly redefines the boundaries of the classic Les Paul in an accessible, versatile package.
This guitar carries all of the traditional tones that have made the Les Paul legendary, along with unprecedented levels of sonic and performance agility. The Alex Lifeson Les Paul Custom Axcess Standard carries powerful Epiphone Ceramic Pro neck and ProBucker 3 bridge pickups with push/pull coil splitting on the volume controls, along with a Floyd Rose 1000 Series tremolo—the world's most efficient vibrato. Click here to learn more.
These tickets are free, hold no cash value and cannot be transferred to others. All entries must be submitted by Thursday 5/25 at 10 am MST.
UMe/Mercury have released the Signals 40th Anniversary edition, hitting stores April 28th. Signals-40th Anniversary will be available to fans in three distinct configurations, including the (1) Super Deluxe Edition, (2) one-LP Picture Disc Edition, and (3) Dolby Atmos Digital Edition. There will also be a limited edition Super Deluxe box featuring eight lithographs of Neil Peart’s original hand-drawn lyrics for each song on Signals only available through the official Rush online store. All configurations are available here.
Unlike the previous Rush 40th anniversary releases, Signals-40th Anniversary does not contain any live content.
The Super Deluxe Edition includes one CD, one Blu-ray Audio, one high-quality 180-gram black–vinyl LP with new artwork from original album designer Hugh Syme in a premium tip-on jacket, and four 7-inch singles (“Subdivisions,” “Countdown,” “New World Man,” and “The Weapon (Single Edit”), all of them with new artwork from Syme. The set encompasses the Abbey Road Mastering Studios 2015 remastered edition of the album for the first time on CD. The Blu-ray Audio disc contains the core album newly mixed from the original multi-tracks in 48kHz 24-bit Dolby Atmos (the second Rush album to appear in Atmos, following Moving Pictures) and 96kHz 24-bit Dolby TrueHD 5.1 as done by esteemed producer/engineer Richard Chycki, alongside the previously available 48kHz 24-bit PCM Stereo mix. Also included on the Blu-ray are new animated visualizers for all eight songs, as well as two bonus remastered vintage promo videos: the high-school halls narrative of “Subdivisions” and “Countdown,” the latter of which features authorized Space Shuttle Columbia launch footage. Additionally, the LP in the Super Deluxe Edition has been cut via half-speed Direct Metal Mastering (the second Rush album to have been done as such, again following Moving Pictures) on a 180-gram audiophile black-vinyl LP, and it has been pressed at GZ Media in the Czech Republic.
The Super Deluxe Edition of Signals-40th Anniversary also includes several exclusive items, including a 40-page hardcover book with new song illustrations and new artwork by original album designer Hugh Syme and unreleased photos from the Signals Tour, along with three lenticular lithographs that transition from the original black-and-white band headshots into the original album’s “Digital Man” color headshots; four SignalsTour band lithographs; Syme’s original album cover sketch lithograph; and a double-sided 24x24-inch poster featuring Syme’s new Signals artwork on one side, and an outtake photo from the original album cover shoot on the other side. All contents are housed in a premium lift-top box, which features significantly reimagined cover artwork by Hugh Syme.
The second configuration is a one-LP Picture Disc Edition. The picture disc is housed in a transparent plastic sleeve, and it showcases new Hugh Syme artwork on both album sides.
Finally, the third configuration, the Dolby Atmos Digital Edition, is the digital equivalent of Richard Chycki’s expert Atmos mix of all eight tracks from the original album.
Back in September, Geddy posted on Instagram:
So, how did I kill time during the pandemic? Little did I know that as of March 2020 I'd be locked down for over a year and a half—the longest time I'd spent in Toronto since I was nineteen and hit the Northern Ontario bar circuit with Rush.
Although Nancy and I had to cancel a bunch of adventures we'd been planning, there were some shiny silver linings to be found at home: teaching my grandson the finer points of baseball and birdwatching, tending to my pups (one of whom was quite ill) and spending the evenings with my lovely better half, glass of Armagnac in hand, as we watched every European mystery show ever produced. Oh, and another thing: I began to write. Words, that is.
My friend and collaborator on the Big Beautiful Book of Bass, Daniel Richler, saw how I was struggling in the aftermath of Neil's passing, and tried coaxing me out of my blues with some funny tales from his youth, daring me to share my own in return. So I did—reluctantly at first, but then remembering, oh yeah, I like wrestling with words. It's a less physical version of arguing with musical notes, without a Ricky doubleneck breaking my back! And soon my baby-step stories were becoming grownup chapters. Being the nuclear obsessive that I am, I'd write and re-write them, reassessing perspectives in the narrative not just by scouring my memory banks but my diaries and piles of photo albums too. I was piecing together a mystery of a different kind.
I'd then send these improved and even illustrated stories to Daniel, who'd clean up some of the grammar and remove a lot of the swearing (I love to fucking swear), and presto! In a voice that sounded, well, just like me, a presentable, epic-length account of my life on and off the stage was taking shape: my childhood, my family, the story of my parents' survival, my travels and all sorts of nonsense I've spent too much time obsessing over. And Daniel said, "I think you're writing a book. An actual memoir, in fact." To which I replied, “Hmm… I guess I am.”
I'm rounding third on this as-of-yet untitled memoir, which will be published by HarperCollins, edited by Noah Eaker, and is scheduled for release in Fall 2022.
Envy Of None's critically acclaimed debut is available on picture disc LP exclusively for RSD. The ambient, cinematic darkness that the collective creates evokes a powerful atmosphere that will excite superfans & new audiences alike. Alex Lifeson & Andy Curran's long-time friendship was the catalyst for the band's inception - but Envy Of None is not defined by its members resumes - they aren't Rush or Coney Hatch & far more than the sum of its collective parts. Above the beautiful cacophony of guitars, synths, bass & drums sits the fragile melodies of 24-year-old vocalist Maiah Wynne - the newest name in Envy Of None's impressive personnel. Hearing Mariah's voice intertwined with the music will bring back memories of when you heard Shirley Manson of ‘Garbage' or Amy Lee of ‘Evanescence' for the first time. Wynne brings charm & beauty to these recordings in spades - with floating hooks & emotive lyrics transcending the oftentimes textural aesthetic. The Storm Thorgerson-esque visuals that grace the cover may remind fans of Lifeson's earlier work - Andy Curran explains: “[the] hipgnosis style artwork of albums like ‘Pink Floyd' & ‘Led Zeppelin' & others were so eye catching, surreal & attention grabbing & we wanted to scratch that itch. We were instantly drawn to Lebanese photographer Eli Rezkallah at Plastik's photography & design work. We fell in love with a bunch of his work - we had a hard time choosing something because he had so many great images”. However, the 70's prog/Rush comparisons may end with the artwork - the music that this ensemble creates treads new ground with each track throughout their 42-minute debut, from industrial/electronic influences on post-progressive soundscapes. Envy Of None create a sound that will haunt, comfort & ignite. "If you can picture maybe Massive Attack with a little bit of some electronic stuff with Nine Inch Nails influences, with this beautiful, fragile, sweet voice & some very, very dark heavy sounds" - Andy Curran (Envy Of None) Following on from the excitement that followed the initial release in 2022, Kscope are proud to present a limited Picture Disc edition for Record Store Day 2023. For details visit RSD2023.
"The mesmerizing rendition strips the gritty sound of the original, leaving a slick and sultry cover in its place. Lifeson closes out the track with an ethereal guitar solo, while Naomi Cowan's vocals flow through the chilled track, blending his celestial guitar stylings seamlessly. Perfectly balancing an aura of psychedelic and reggae, the essence of Bowie's classic sci-fi song finds a new purpose in this genre-crossing performance. ... Lifeson reveals he already had admiration for Bowie going into the recording of the track. 'Bowie was such an incredible artiste and the reggae concept for the project was an interesting approach. Naomi Cowan's vocals were inspiring to track to and the arrangement was fun to play to, as it should be." - Consequence of Sound, Feb 22, 2023
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