"The first version of our first record was really crappy, and that’s when we met the guy who really changed our lives, which was Terry Brown. And he became our producer for the next 10 years and taught us so much about making records. He saved that album, when I think of that album, I think of him, I think of that first session, when we took those poorly recorded versions of those songs, and he decided what was salvageable and what we should just re-record."Click here for the full story.
"We haven't really talked seriously about what we want to do," says Lifeson. "But I think we're probably going to lean towards making it a real sort of fan event, and really try to put something together that's very pleasing for the fans across the board. That's always been difficult, for us to sort of balance things."I would say that is great news indeed!
"Thanks to celebrity spokesperson Alex Lifeson's participation in a new public service announcement, we are able to help raise awareness of the risk factors for kidney disease. Canadians will also have a health information e-tool at their fingertips and a printed risk assessment they can share with their healthcare provider - crucial resources for their kidney health management."Read more: http://www.digitaljournal.com/pr/1786247#ixzz2vlE1t5Gg
"BOOM! Studios will release the first issue (of six) of CLOCKWORK ANGELS: The Graphic Novel, scripted by me and with art by Nick Robles in a few weeks. The comic will debut at Emerald City Comic Con in Seattle on March 28, with a special exclusive cover for ECCC. There will be three variant covers in comic stores, an exclusive cover for the rush.com and BOOM! websites, and a limited cover for distribution with the Larry’s Comics chain. All copies are about $4 retail."The standard comic store cover series can be preordered for $29.99 for all six issues directly from Boom! Studios at this link. In addition, the exclusive limited cover set features key lyrics from Rush songs that are tied to the comic, as pictured in the cover attached to this post. These overs also feature character design concept art by artist Nick Robles, and can be preordered from Boom! Studios for $49.99 for all six issues at this alternate link.
"We are very excited to announce that our 14th annual convention will take place in Rush’s hometown of Toronto, August 22nd - 24th, 2014.
"Enjoy 3 days of Rush-filled festivities, including games, prizes, trivia, a memorabilia charity auction, special guest speakers, a tribute band concert and much, much more. Full convention details will be announced later this spring, but we wanted to make sure folks saved the date!
"This is the year! Don’t be kicking yourself for missing yet another RushCon. From the friends you will make, to the music you will sing along with, RushCon 14 will be an unforgettable experience.
"You belong at RushCon 14. http://www.rushcon.org/"
In a new press release, today Boom! Studios confirmed the March release of the Clockwork Angels comic book series, as well as sharing the first three covers.February 21, 2014 – Los Angeles, CA - Award-winning publisher BOOM! Studios is pleased to announce the March debut of CLOCKWORK ANGELS, a new limited series based on author Kevin J. Anderson’s New York Times bestselling novel and legendary rock band Rush’s concept album of the same name. Rush lyricist and drummer Neil Peart and Anderson, along with interior artist Nick Robles and cover artist Hugh Syme, create the steampunk world of Albion in comic book form for the first time.
“Rush is one of our all-time favorite rock bands here in the office, so we immediately jumped at the chance to work on CLOCKWORK ANGELS,” said BOOM! Studios Editor-in-Chief Matt Gagnon. “The icing on the cake is that author Kevin J. Anderson is somebody we’ve always wanted to work with, so this is an all-around thrill. Mr. Anderson and Mr. Peart have brought us a breathtaking story that illustrator Nick Robles has beautifully visualized.”
WHY WE LOVE IT: Rush’s CLOCKWORK ANGELS is a testament to the band’s creative versatility—it has been successful as a concept album, novel, and international tour. Now, Rush drummer and lyricist Neil Peart and New York Times bestselling author Kevin J. Anderson are bringing the story of CLOCKWORK ANGELS to comics, where newcomer artist Nick Robles will bring the journey of Owen Hardy to visual life!
WHY YOU’LL LOVE IT: Die-hard Rush fans have longed for Peart’s narrative songwriting to be adapted into comic book form for decades, but fans of steampunk fantasy will enjoy journeying into the world of Albion thanks to Anderson’s skilled storytelling.
WHAT IT’S ABOUT: Owen Hardy, like all the people of Albion, has lived his whole life under the rule of The Watchmaker. His entire life has been planned down to the exact second. But what happens when a young boy decides that things should not always goes as planned?
CLOCKWORK ANGELS #1 arrives in comic shops on March 19th, the four-year anniversary of the album’s initial announcement by the band members, with a cover price of $3.99 under Diamond order code JAN140981. The first issue will ship with two variant covers including a subscription cover and a retailer incentive. Not sure where to find your nearest comic retailer? Use comicshoplocator.com or findacomicshop.com to find one! It’s also available for order directly from boom-studios.com.
ECW Press will release the paperback version of Kevin J. Anderson’s bestselling CLOCKWORK ANGELS novel (ISBN: 978-1-77041-156-2, $14.95) in May.
"It was interesting to me, or offensive to me, that when the question was broached with the hierarchy about inducting additional members it was shut down immediately as ‘a non starter,’ which to me is arrogant. People who sit behind desks need to respect the people who are actually either inductees or possible inductees into this so-called hallowed organization. So the fact that there are 30 or 40 or 50 or some absurd number of Grateful Dead members all inducted, the fact that all of the Chili Peppers, including people who played on early albums that never amounted to very much are not inducted, the fact that John Rutsey, the drummer on the first Rush album is not inducted, the fact that Rob Trujillo, who’s a great guy but didn’t play on any of the classic Metallica albums, was inducted after being in the band six years makes me wonder exactly what are the rules? If the rules don’t apply to everybody then they’re not rules. Of course it goes without saying that Ace and Peter deserve this moment in the spotlight. We wouldn’t be here without them. We couldn’t have built what we did without them at the foundation. That being said, we couldn’t have built what we built without a lot of people who followed them. We couldn’t have been here without them and we couldn’t be here today with them. So absolutely, of course they deserve and belong up there." - ClassicRock.com, February 14, 2014- Thanks to RushFanForever for the headsup!
"Follow along with Brent Carpenter on tour with Rush, as he demonstrates what it is like to be a live sound engineer for a major rock show. We shadow Brent and the Rush sound crew as they prepare for the Denver, Colorado, show on their Clockwork Angels tour, where the band is set to perform for 12,000 fans. After the gear is loaded into the venue, Brent explains how he and the crew set up the rigging, amp racks, and fly the speaker arrays to make sure well-balanced stereo sound reaches every seat in the arena. He also shows how he sets up his console to mix the onstage sound for Geddy Lee, Alex Lifeson, and Neil Peart and configures the in-ear monitor system and balance of audience mics for each member of the band. Then we get to sit backstage with Brent and watch what he does during line check, sound check, and the actual show. After the fans file out, see how all the equipment comes back down and is packed away so the cycle can start all over in the next city."
Topics include: Choosing the PA for the venue; Setting up points, motors and cables, and trusses; Getting the best use of both analog and digital signal paths; How Rush gets that Geddy, Alex, and Neil live sound; Setting up the digital monitor mix console; Doing the line check and sound check; Using audience microphones to connect the band to their fans; Getting even coverage in a large arena; Working the monitor console and the power of snapshots; Loading out of the venue.
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