Rush play the Ziggodome in Amsterdam on June 2, 2013.
Pre-sale for tickets goes on sale July 1 at 10am local time.
Tour Package:
http://www.livenation.co.uk/vip/artist/rush-tickets
Tickets:
http://www.ticketmaster.nl/event/100279?CL_ORIGIN=ORIGIN2
General on-sale is July 2nd.
Rush is featured on the cover of the July issue of Holland's Aardschok magazine as well as an accompanying feature story and album review, giving Clockwork Angels a 9 out of 10. For more info click here. - Thanks to Jan Tiemens for the headsup!
"Mick Middles speaks to Rush bassist and singer Geddy Lee about his favourite albums of all times... Geddy Lee's Baker's Dozen is intriguing rather than surprising. Of course, the inclusion of adventuresome power trios like Cream and the Jimi Hendrix Experience might seem obvious and strongly reflect the blues rock of their formative years. Nevertheless, it seems a long road from there to Radiohead and Bjork."- Thanks to Ed at RushIsABand for the headsup!
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| Moving Pictures Goes Platinum, 1981 |
"That both groups, Rush and The Smashing Pumpkins, have hit creative highs while rejecting the notion that 'the hit single is king' was the starting point for a discussion MusicRadar recently had with Lee and Corgan in which the two talked about how they navigate through the murky waters of the music business and rise to the challenges of what Corgan calls the 'iPod era.'" - MusicRadar.com, June 21, 2012
It feels like it’s been a time of all things ‘Rush’ over the past while. As you all know by now, we spent most of the late fall and early winter 2011 recording Clockwork Angels at Revolution Studios in Toronto, Canada. I had selected that room for its cavernous but controlled drum room and I was pleased with the recorded results, as was Neil. The clockwork stage kit is one of the best kits I’ve ever had the pleasure of recording.- Thanks to B-man for the headsup!
The making of this album was a further development of technique and technology and also a return to some old ways. In my work with some of Rush’s older masters like Moving Pictures, I learned that at that time much of the processing for guitars was committed to tape — a good example being the solo in Limelight, which is a stellar performance wrapped in lush sonics. Alex and I applied much of the same methodology for Clockwork, where a song like Carnies for example, with complex modulations, panning, eq and echo were committed as a premix during the recording phase for simplicity and reproducibility down the road. And Alex did some amazing solos in preproduction that were again, tweaked with vintage and modern technology during the recording phase so they would sit well within the production guidelines that the band had set.
Geddy’s recording was also expanded to include some additional vintage gear, if you recall the Fairchild I tweeted while we were in the studio ;-) . The rest of Mr. Lee’s secret sonic recipe will have to stay secret.
“Hugh Syme is a very clever and able designer,” says Lifeson. “He works very closely with Neil on all of the artwork. He has done some really dramatic artwork for this record. It made me smile; I got it.”
“The drum pattern on that song is one that I put together and Neil connected with it. I think I come from a different place than Neil does and sometimes he will find what I do as an interesting approach that he would have never thought of himself. It gave him a launching point.”
"Our intention is to take strings out on the road," guitarist Alex Lifeson tells Billboard.com. Orchestrations, arranged by David Campbell, feature on several of "Clockwork Angels' " tracks, and Lifeson says Rush will employ a small string ensemble, likely eight to 10 pieces, to recreate those pieces and to be added to some of Rush's older material. "It's just something different for us, and I can't wait to hear what it sounds like."- Thanks to Ed at RushIsABand for the headsup!
Lifeson says Campbell will be writing arrangements for the tour, which kicks off Sept. 7 in Manchester, N.H., and will likely appear at some of the shows as well. "Certainly in the beginning he'll be out for a bit," the guitarist says. "I think his intention is to use these musicians he's been working with for a long time, who he trusts, and once they're settled in he doesn't have to be around all the time and he can come out whenever he feels like it."
Lifeson says the production is "still in a planning stage" but promises that "it's a while new show. It's new staging, new lighting, everything is new and fresh about it. I would say that it's an evolutionary extension of what the (2010-11) Time Machine Tour was, but we are definitely freshening it up and bringing and there'll be a lot of new video stuff going on." And, of course, Lifeson and his mates expect to dedicate a considerable amount of stage time to "Clockwork Angels," a concept album that will be followed by a novel co-written by drummer/lyricist Neil Peart and Kevin J. Anderson.
"The set list is quite fluid these days," Lifeson reports. "We're dropping and replacing songs constantly, and that's the way it always goes before we get into rehearsals. There's a great deal of pressure on us now to do the whole record, which we don't anticipate. I think our intention is probably to prepare the whole thing; whether we'll do it or not we're still not sure, especially on the first leg of the tour. There's still a lot of older stuff we want to do, and we've got some great songs lined up from the past. We'd be loathe to drop them to add more of 'Clockwork Angels,' at least on the first leg. It's always nice to switch up on the second leg and make it a little different."
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