This fall, Canadian rock band Rush is coming to town in the form of a new class to be offered at Tiffin University.
The course, "Rush: Progressive Rock and Modern Society," is to explore the musical and cultural issues of the 1970s and '80s, according to course instructor and adjunct professor Nathan Santos.
“If I had to pick a favorite band of all time, it would be Rush.- Thanks to RushFanForever for the headsup!
"As a teenager, I was already familiar with the group and its albums like Moving Pictures and Signals. But once I discovered 2112, it opened me up to this whole concept that rock music could be bigger than just a tune—that it could be used as a vehicle to tell a story or to transport you to some other world.
"The idea of a big piece like that being broken down into numbered sections like they were chapters in a book was just unbelievable to me, and it’s a technique that I continue to use to this day.
“I have so much respect for [Rush drummer] Neil Peart, especially as a lyricist. And 2112 was the first time I heard something where, lyrically, it didn’t have to just be about the typical rock and roll topics, that it could be about something more heady or esoteric, something that makes you think. That really influenced me as a lyricist.
“I was also blown away by how a three-piece band could sound so majestic and huge and play in a style that’s inherently rock and roll yet still pushes the boundaries of what they’re doing musically—this idea of being experimental, using different time signatures and not really being concerned about song length and traditional constraints. I can’t tell you how huge of an impact that had on me. 2112 basically set the course for my musical career and how I approached Dream Theater.”
"Usually when the “alternative rock revolution” of the early 1990s is discussed, Nirvana’s Nevermind is credited as the recording that led the charge. Yet there were several earlier albums that helped pave the way, including the Pixies’ Doolittle, the Red Hot Chili Peppers’ Mother’s Milk, Jane’s Addiction’s Nothing’s Shocking, and especially Primus’ 1991 album Sailing the Seas of Cheese.- Thanks to RushFanForever for the headsup!
"This fascinating and beautifully curated oral history tells the tale of this truly one-of-a-kind band. Compiled from nearly fifty all-new interviews conducted by journalist/author Greg Prato—including Primus members past and present and many more fellow musicians—this book is sure to appeal to longtime fans of the band, as well as admirers of the musicians interviewed for the book.
"Interviewees include: Tim Alexander, Trey Anastasio (Phish), Matthew Bellamy (Muse), Les Claypool, Stewart Copeland (The Police), Chuck D (Public Enemy), Kirk Hammett (Metallica), Larry LaLonde, Geddy Lee (Rush), Mickey Melchiondo (Ween), Tom Morello (Rage Against the Machine), Chad Smith (Red Hot Chili Peppers), Matt Stone (South Park), Tom Waits, and many more."
.jpg)
"The Sam the Record Man store and sign were important fixtures in Toronto's musical landscape as well as its Civic history. Sadly, all that remains now are our memories of the store and this magnificent neon sign. Ryerson and the city of Toronto should absolutely preserve what myself and many of its citizens consider to be an important symbol of our past and of that store's contributions to our culture." -Geddy LeeTo give your support of the effort, sign the petition! - Thanks to RushFanForever for the headsup!
"In London, England, on Wednesday, May 25, 2011, I took another photograph from my drums, this time at the end of the show, just before the encore...Returning to London to play with Rush in the late ‘70s had been hugely important to me, and so it remained every time—at the Hammersmith Odeon, the Wembley Arena, and this time, at the new O2 Arena. Like playing in Toronto, Montreal, or—in recent years—Los Angeles, London was a kind of 'hometown gig' to me.""Inspired by the diverse character and culture of music fans, Feinberg spent a decade photographing audiences across all genres and from every vantage point. From the “Deadheads” out in the parking lots, to the “Kiss Army” up in the rafters; the fans screaming around the stages for U2 and Lady Gaga, to the mosh pits at the Warped Tour and Mayhem Music Festival; Feinberg captured the raw energy and emotion in more than one hundred stunning images of fans under the spell of the music.
"I've come across many players over the years and I've learned a lot from a lot of players, but I think one of the most underrated players - and he's respected, but he just didn't get the recognition he deserved - is Steve Morse.- Thanks to RushFanForever for the headsup!
"I remember when we were playing with The Steve Morse band and he'd be there when we were there at soundcheck, at three or four o'clock in the afternoon, and I'd just watch him and he'd be wandering around the hall playing and warming up.
"They'd always play a different song every night for their soundcheck and he was just such an amazing player. He has such an amazing ability. I always thought that he should have been huge in whatever he did. He was definitely successful in whatever bands he worked in, but I don't think that he ever had the kind of recognition that he so deserved. So I'd have to say Steve Morse."
..."Convocation is the highlight of the year and we are honoured that these extraordinary individuals will help us celebrate our graduates," said Dr. Mike DeGagné, President and Vice-Chancellor of Nipissing University. "The nine honourees are remarkable Canadians who have helped make our world better. It is very rewarding that they each recognize the distinct value of Nipissing University and support our mission and vision to the extent that they are accepting our highest honour, solidifying their connection to our institution..."- Thanks Donovan, Ed, John and Darren for the headsup!
In March of 1974, Rush released their self-titled debut through the band's own indie label, Moon Records in Canada, and quickly sold out of the initial 3500 copies originally pressed. Moon Records would soon become Anthem Records, which launched in 1977, and continues to serve as the band's only Canadian record company.
To mark the band's 40-year recording career Universal Music Enterprises (UMe) will celebrate with the vinyl reissue of the original Moon Records (pre-Mercury) release of Rush, as part of Universal's reDISCovered vinyl series. Housed in a sturdy, custom box with a lift-off top, this landmark album is pressed on 200g, audiophile grade vinyl, from the original 1974 analog stereo masters, cut to copper plates using the Direct Metal Mastering (DMM) process at the legendary Abbey Road Studios. Rush also features the original Moon Records jacket art, complete with the original MN-100-A/B Matrix etching, and will include a 16"x22" reproduction of the first Rush promo poster, three 5"x7" lithographs of Geddy Lee, Alex Lifeson and John Rutsey, a 12"x12" Rush Family Tree poster, and a digital download card for a free digital copy of this newly remastered release.
Featuring the band's original line up, Lee, Lifeson and Rutsey, Rush's eponymous 1974 debut features eight hard-hitting rockers including "Finding My Way," the fast-paced "Need Some Love," "Take A Friend," "What You're Doing," the southern rock vibe of "In The Mood," and their U.S. breakthrough anthem "Working Man" which was made famous by Cleveland, Ohio's WMMS radio station. Other tracks include the more melodic "Here Again" and the atmospheric "Before and After," which gradually builds into a burst of power chords and heavy guitar riffs.
---
"There are so many memories associated with the re-release of our very first album that one hardly knows where to begin. Like most first albums, it is sort of a miracle that it came into being at all. We originally recorded most of the songs in a studio in downtown Toronto, between the hours of 2 a.m. until 8 a.m. AFTER we had finished playing 5 sets a night at a local rock club. You can imagine the logistics of that.. good thing that we were so.. er... resilient!
We managed to record an album's worth of material in a matter of days and the engineer who worked with us then mixed the entire record in one evening. After the club date ended we came in to hear the final mix and we were crushed with disappointment, it sounded so ..well... polite .... nothing at all like the way we sounded live and not at all what we wanted. He simply did not understand us. So the next day we ran to our manager for help and we were directed to an ex-pat British engineer and producer named Terry Brown.
We met with Terry and instantly felt we were on better footing. After he had come to hear us play live, he suggested that we come to his studio, Toronto Sound, and re-record many of the overdubs and record a few of the "newer" songs that we had written and then re-mix the rest. It wasn't perfect but it sounded sooo much better and more importantly it sounded like us! Terry saved the album.. no question about that! It began a very happy collaboration between us that endured until 1981 after we had completed the Signals album." - Geddy Lee on the making of Rush self-titled debut album
“Howard is a pioneer who took concert lighting to a new level, leaving everybody else to try to catch up,” says Parnelli Producer/PLSN Publisher Terry Lowe. “His work with Rush has inspired many in this business, and he’s known as one of the nicest, most respected guys in this business, too.”For more visit PLSN.com. - Thanks to RushFanForever for the headsup!
Many companies turned to Ungerleider when developing new products. “A lot of manufacturers would send me their fixtures to break,” he says. One is High End.
“Howard Ungerleider is a pioneer in the entertainment industry,” says High End founder and Parnelli Visionary Honoree Richard Belliveau. “For as long as I have known Howard he has strived to provide his clientele with new and innovative ideas. New and innovative ideas can sometimes require more work and time for a designer like Howard to implement. Howard unselfishly spends his time to make sure those innovative ideas get implemented and in a successful fashion for his client. The results can be breathtaking.”
UPDATE: The auction has closed, the drumhead sold for $2,025.Click here to bid on a 12" autographed drum head used in concert by Neil Peart. This 12" Ludwig head was mounted on the historic drum kit that was once owned and used by Neil Peart from 1974-1977. This head was last used around May or June of 1977. This head was hand signed by Neil Peart in 2010.
100% of the proceeds from this auction are to benefit DrumsForCures, a non-profit charity organization that produces DRUMSTRONG events to raise awareness and funds for cancer survivorship, education and research globally that support people with cancer and those who love them. Bids started at $21.12. The auction ends on June 15th. Good luck bidders!!
Synopsis: Rush FAQ documents the amazing story of the world's greatest Canadian prog rock power trio, from its origins in a church basement in Willowdale, Ontario, to its induction ceremony at the Rock and Roll Hall of Fame. Covering 40 albums, 10 DVDs, thousands of mesmerizing live shows, and millions of rock's most loyal fans, the story of Rush is as epic and unique as its music. Rush has been maligned by the press for decades, and misunderstood by a legion of mainstream rock fans and rock glitterati. And yet only the Beatles and Rolling Stones have earned more gold and platinum records. Few artists, if any, have been as influential as Rush's three virtuoso bassist-keyboardist-vocalist Geddy Lee, guitarist Alex Lifeson, and drummer-lyricist Neil Peart. Rush's focus has always been about its muse and its music. As such, Rush FAQ studies the evolution of the band's sound, from the early days of Zeppelin-esque blues-rock to complex, synth-laden opuses to the return of concept-album bombast with the critically acclaimed Clockwork Angels. With wit, humor, and authority, music industry veteran and unabashed Rush geek Max Mobley examines the music, gear, personalities, and trials and tribulations of one of rock and roll's truly legendary acts. It is a story Rush fans will treasure and rock and roll fans will admire.
Make fun no more, Rush haters. More than 30 years after the release of Rush’s “Red Barchetta,” one of the more popular and thematically “out there” songs from the band, it’s all coming true. Peart appears to have correctly predicted the inevitable tech company-controlled future.Check out the full story at SFGate.com.
Home