"From singing the praises of new Cubs manager Joe Maddon ("He's brilliant") to fending off fantasy baseball questions ("Too early. Way too early,") he gave us his quick takes on the Major League Baseball season that was, and, of course, what he expects from his beloved Toronto Blue Jays in 2015."Click here for more.
Two of Alex Lifeson's paintings which were auctioned off for the Kidney Foundation of Canada are now available as a limited edition print individually numbered and signed by Alex. What a great Christmas gift for Rush fans which also will raise money for a great cause!"The Kidney Foundation of Canada - Atlantic Branch and Alex have teamed up to produce these two limited edition set of prints. Only 300 prints have been made of Self Portrait #1 and only 200 prints have been made of Greek Salad. Each print is numbered and Alex Lifeson has personally signed each individual print. That's right, each print has Alex Lifeson's ORIGINAL signature on it. The print is on high quality, heavy stock. In addition, each print comes with a Certificate of Authenticity, signed by the Executive Director of the Atlantic Canada Branch of The Kidney Foundation of Canada, confirming that the print that you have purchased is one of only 300. The certificate also shows the print number (eg. Print No. 33 Limited Edition of 300). The certificate is printed on linen paper, making it ideal for framing with the art print or for displaying on its own."Click here for more information and to purchase! - Thanks Trina for the headsup!
"Once, he was just a boy tending to the apple orchards. Now, Owen Hardy is flying a magnificent airship across the skies of Albion! In the course of this adventure he learns a secret about his own family, one that will take him to the hallowed Seven Cities!"
Last night Geddy Lee was one of the guest performers at The Who's concert for Teenage Cancer Trust at London's Shepherd's Bush Empire. Today's review in London's Guardian newspaper noted "Rush’s Geddy Lee’s leather-lunged take on The Seeker confirms that when the Who rock, they really rock," and Rollingstone reported "Geddy Lee put in a laidback performance on 'The Seeker.' The Rush singer, who had flown in from Canada especially for the gig and celebrates his own band's 40th anniversary this year, also played bass and later said he was 'thrilled to support the Teenage Cancer Trust while celebrating the music of the Who, a band that changed my life.'""An evening of music in aid of Teenage Cancer TrustThe evening's setlist and list of performers was as follows:
The house band for the evening is The Who's band featuring Simon Townshend, Zak Starkey, Pino Palladino, Billy Nicholls, Frank Simes, Loren Gold and John Coury, and they will be joined onstage by some of the best artists in the world all performing Who classics.
"Pearl Jam’s Eddie Vedder, Liam Gallagher, Ricky Wilson from the Kaiser Chiefs, Manic Street Preachers’ James Dean Bradfield, Geddy Lee from Rush, The Strypes, Brody Dalle, Tom Odell, Amy Macdonald, Andy Burrows and Rizzle Kicks as well more to be announced soon, have chosen their favourite WHO songs to perform in aid of Teenage Cancer Trust."
'I Can't Explain' - Andy Burrows; 'The Kids Are Alright' - Wilko Johnson + The Strypes; 'Getting In Tune' - Tom Odell; 'Behind Blue Eyes' - Amy Macdonald; 'Who Are You?' - Rizzle Kicks; 'You Better You Bet' - Rich Hall; '5.15' - Ricky Wilson; 'Bell Boy' - Ricky Wilson + Phil Daniels; 'Love Reign O'er Me' - Joe Elliott; 'Acid Queen' - Sheila Ferguson; 'The Seeker' - Geddy Lee; 'Baba O'Riley' - Leslie Mendelson; 'My Generation' - Liam Gallagher; 'Naked Eye' - Eddie Vedder; 'Won't Get Fooled Again' - Eddie Vedder; 'Listening To You' - Eddie Vedder; 'Substitute' - Roger Daltrey; 'Young Man Blues' - Roger Daltrey
- Thanks to Rushfanforever for the headsup!I had a girlfriend. I was engaged to her. We broke up after five years of being together. She went off and did whatever to get over it. I put in Rush Chronicles, got in my truck and drove around for five days. That's how I got over that relationship. After I listened to that record, I said, 'I don't need this crap. I've got Rush.' So needless to say, when Alex Lifeson's name came up as a producer, I was in, Jack. I didn't need to hear anybody else's name. I can't explain how nice a guy and how smart he was. How cultured he was and how great a musician he is. I can't put into words how much his influence brought to my life before I met him and after I met him. There's not a week that goes by that I don't think of that experience. I spent three weeks with him in the studio.
He taught me that the technical aspect of being a producer is not the most important part. Tee most important part is the song and how to delegate. If you want to change someone's art, they are going to fight you on it. If it's all about the art becoming better, you've got to get your point across. That's what Alex taught me. Instead of saying 'I'm a producer. I'm from Rush. You need to listen to me.' He wasn't like that. He came in and was like,' Think about it like this: What does the fan think? From a radio listener's perspective, you have about 13 seconds. They hit that seek button. That's the way it works. He taught us that.
"We're still talking. Everybody has a different idea how they want to spend the next couple of years, so we haven't come to a decision. I'm ready and happy to play if everyone else agrees. I think in the next couple of months we'll decide to do something or not."He also discusses the force behind the release of the R40 boxed set:
"The office and our manager is always pushing us to release some archival stuff. Seeing as we were off, we said, 'Have at it.' It was interesting seeing all the old footage. We recorded a show on the Test For Echo tour we'd forgotten about because it came just before a particularly dark period in our history. It was painful to think about, but when we listened back we realized we were in good form that night. It would have been a shame to not unearth at least part of it."Click here for the complete interview. - Thanks to Skip Daly for the headsup!
"In the interest of encouraging the band to pull some choice rarities out of the vault, the song list (below) is limited to songs from the Peart recording era that Rush has never performed live ("Feedback" covers excluded). As in the past, each person gets to select FIVE songs from the list below and submit their votes, with each individual being allowed to cast one "ballot". No guarantees, of course, but with any luck the band will keep an eye on the results and take the results into some degree of consideration. (We'll certainly be letting Anthem/SRO know the site is up and running again)."To vote visit RushPetition.com.
RUSHfest Scotland, the Scotland convention for Rush fans, is hosting a world wide raffle to win a 12 year old bottle of The Macallan whisky signed by Neil Peart, in an effort to raise funds for Macmillan Cancer Support.About The TJ Martell World Tour Of Wine & Auction:
Each year, our World Tour of Wine guests join us for full tastings from the cellars of some the most avid wine lovers and collectors in the United States who donate their wine for those at their table to drink. The 220+ guests in attendance also enjoy an exquisite five-course gourmet meal (featuring courses prepared by a celebrity chef) at this dinner while bidding on silent auction lots from the wine, sports and music/entertainment fields, as well as 8-10 live auction lots. What makes the World Tour of Wine truly unique is the fact that, unlike most charity dinners where the wines are provided by either one or a select few vineyards, each table is pouring wine from the collections of its “wine host”. Therefore, no two tables are alike in terms of what is being poured, and “table hopping” between guests begins almost as soon as the corks are pulled!
UPDATE: The taped show will air next April 2015. Yesterday the day after the taping, Rush.com shared "75 minutes flew by talking to one of my favourite writers and a truly awesome person" - Geddy Lee (with Michael Chabon taping PBS Speakeasy airing in huge new year)"
What went through your mind when you watched the footage of you guys performing in 1974?
Well, watching that is like an out-of-body experience for me. Because I remember it, and at the same time, it was so long ago, it’s hard to know if it’s a real memory, or a dream state memory. It’s hard to feel like that same guy who was screeching on the stage back then in unusual clothing.
Alex Lifeson told us that the thing that stuck out in his mind is that the audience were seated the entire time, no one got up!
That was a very Canadian response back then. Canadians, especially back then, were an almost self-conscious audience. Even if they were loving it, most of the crowd was quite quiet. That’s changed, of course, over the years. Back then, you would play a small town in Canada or across the country, and you wouldn’t be sure that they were loving it. When they actually were loving it, but they weren’t very demonstrative about it. So, we’d come back from the U.S. and American crowds were famously exuberant, and then you’d cross the border and do some small town in Saskatchewan or something, the crowd would be not so exuberant. You’d feel like you were bombing, but afterwards people would come up and say, “Man, I loved your show!”
Was it bittersweet, watching the footage with John Rutsey?
Yeah, it is sad in one sense, but it’s also quite a nice thing that this footage is available, so people can see what we were like with him, and what he was like. I think in a way, it helps keep his memory alive. He’s part of our history.
Back then, John was the guy in the band who talked to the audience from the stage. Did you prefer that you didn’t have to take on that role?
I was always the reluctant… everything. I was originally a guitarist, and the bass player in my old garage band quit, and they voted and I became the bass player. I was the only one that could sing, so I became the singer. I didn’t really want to write lyrics, so in the early days of Rush, John wrote the lyrics. I was a very shy kid, I didn’t really feel comfortable talking to the audience, so John did that. So I really kind of backed into my entire career.
It seems to have worked out.
It’s worked out really well! I’m still playing it by ear.
How long did it take for you to get comfortable with being the guy who had to do the onstage banter?
It took quite a long time, really. I didn’t really have a persona. All the singers from rock bands in those days were taking on a persona of a very loud, sort of gregarious guy who would rile up the crowd. That’s not me, I’m not that guy. I’m not that guy socially, I’m not that guy period. For me to suddenly have to talk to the audience… I was rather soft-spoken, so it was always work for me to psych for myself up to try to do that. In the early years, the lack of persona seemed to be a problem. As we hung around, I think my lack of onstage persona has actually become my onstage persona. So you kind of grow into who you actually are. It’s kind of worked out for me. The ideal person to be our MC would be Alex, he’s naturally hilarious, he’s such a goof and such a funny, warm guy. But he’s, at times, even more shy than me. He didn’t want to do it either!
What do you remember about the song “The Loser?”
I honestly don’t remember that song, and I didn’t remember it until I actually saw the footage of us playing it. And I didn’t remember it was called ‘The Loser.” So much for my memory! We wrote so many songs in the early days, and half of them fell by the wayside. A while back, Alex uncovered a demo tape that he and I had done for copyright purposes. Since we couldn’t write music, the only way you could submit a song for copyright in those days was, you’d record it. Alex would play guitar and I would sing onto a tape. We found one of these very basic tapes. I just could not remember half of the songs that were there. It was just teenage ramblings.
Any chance you’d consider putting out a compilation of previously unreleased pre-1974 Rush recordings?
They’re not very musical! Maybe after we’re dead and gone, if somebody uncovers those tapes. While we’re still alive, I don’t think we would want anybody to hear that stuff.
Home
