I've added 31 new wallpaper images from the R40 Tour Book to my "Rush Art Gallery of Desktop Wallpaper" Tour Books page. Included are the usual beautiful production photos, mixed with live photos from the last tour, recent rehearsal photos, and a few from the archives. In addition, in case you missed my previous post, the complete tour book transcript is available here. Enjoy!
Alex on how Neil took to the R40 Tour: "[Neil] was resistant to it until he started prepping [for the tour] and realised: hey, I can still play my drums pretty good! And then getting into rehearsals with us, there’s that whole camaraderie that he really adores. So when he’s back into the stream, he loves the swim."In addition, Classic Rock has posted an "EXCLUSIVE: RusH Q&A - The Bonus bits", 'The bits of our interview with the Canadian prog legends that didn't make it into the magazine'. You can read it here (watch out, there are some R40 setlist spoilers). Included are comments about many of the band's releases over the years, songs that did or didn't work, thoughts on playing old "pretentious" proggy songs on tour, their plans for when the music is finally over, and more info regarding the chances of the R40 tour coming to Europe:
Geddy on what could bring on the end of touring: "if anything is going to mean that we can’t tour any more like we used to, it’s more than likely going to be the arthritis. Because that’s something that will directly affect his ability to play. And if I was going out on stage and I could not play the way I want to play, or the way I have played in the past, there is no way I would want to do it; I would not want to go out there and be a shadow of my former self. "
Will there be another Rush album?: Alex: "...I’d love to make another record. It’s such a fun experience to make a record.I’m sure if we start coming up with some stuff, Neil would be right in there. He’d love that." Geddy: "Do I feel like we have the mojo to do more records? Absolutely. But I can’t tell you that the other guys agree. I’m not a hundred per cent sure that Neil agrees, I’m pretty sure Alex agrees."
Geddy: There’s nothing on the cards right now. I would say that there are those of us that would prefer to do some dates in the UK and even some European dates, and there’s an opportunity, once we get rolling, to see what we might want to add. But let’s just say that at this point that Neil’s made it clear that he’s good with this US tour being the last group of dates.- Thanks to RushFanForever for the headsup!
Alex: You never know. These past couple of months have been pivotal. It’s shown us, after a year and a half off, how much we really love doing what we’re doing. I think that’s really important in Neil’s case. But when you’ve only got so much time to play with it’s tough....But I’ll say one thing: Geddy feels it’s important that we go back at this time to the UK, to acknowledge the support you’ve given us for all these years. And I agree with him.
AND THE WINNER IS: Congratulations to Andy Hays, the ONLY person who correctly guessed the opening song. However, Andy has graciously offered to pass it on to the runner up: the winner is Jeff Travis of Modesto who guessed both the second and third songs. Jeff, check your mail later this week for your Chronicles DVD.The time is now again! The R40 Tour starts one week from today in Tulsa, and to celebrate, I'm having a contest for Power Windows readers where I am giving away a Rush DVD. Correctly guess the first TWO songs of the opening night of the R40 Tour, in the order they are played, and you will be in the running to win Rush's Chronicles DVD Collection. To enter, simply email your answers (song 1, song 2), along with your name and mailing address, to rushr40songs@yahoo.com.
"As the three of us discussed the songs we would play, it was all about how we and the fans might be able to live it all again - just this once. Because it was quite a ride, wasn't it?" - Neil Peart, "Live It All Again"Neil Peart has written another outstanding essay which is included in the R40 tour book. In addition, Alex Lifeson tells us some stories from the earlier days, such as renting a car and returning it with 11,000 miles on it, and Geddy talks about his latest obsession, collecting basses.
“He was the one that when I was a fourteen-year-old fellow I thought, ‘Boy, I’d sure like to make those sounds.’ I’m still trying to do that.
"When I was a kid I didn’t have a lot of money so I joined one of those RCA Record Clubs where you got ten records for a penny and then you spend the next three years trying to pay back the albums that they send you after you don’t get back to them in time.
"One of those albums I got was All The World’s A Stage which was Rush’s first live record. I pretty much wore that thing out. Geddy was the one, he was my first big hero. The way he phrases his runs when he’s improvising, I’ll hit a run every now and then and go, yep, that’s Geddy.
"There’s one song we have in particular called Moron TV that was off the last record where the middle section is very much Rush and it’s an homage to those guys. I helped induct them into the Canadian Songwriters Hall Of Fame. I brought my Fungi band which was cello, marimba, drums and bass, and we played Spirit Of Radio.”
"We were both 14 years old going to Fisherville Junior High in Willowdale in 1966, right at the start of the psychedelic era. We were good friends and, like everyone, we bought all the newest albums, tried to look like hippies, and even took the bus and subway down to Yorkville to see what we had to look like to be cool.Alex Lifeson was also present at this concert, and met Mandala's guitarist, Domenic Troiano, after the show. Back in 2013, in a press release announcing the annual Domenic Troiano Guitar Awards, Alex was quoted as saying:
"We went to our first really big show at North York Centennial Arena featuring the two hottest bands in Toronto: The Mandala and The Paupers. The Mandala started the show with their great Blue-Eyed Soul Review. They were dressed in trademark cherry-striped suits. Joey Cherowski was on organ, Whitey Glann on drums, Dominic Trianio on guitar and Don Elliot was on bass. George Oliver sang and danced and jumped around on stage in a frenzy, which earned him his trade mark as the hardest working singer in soul music. The only time he slowed down was when he did the splits and ripped the ass out of his pants, which he changed while the band played an instrumental, the song 'Toronto ’67'. Both me and Ged couldn’t believe what we were seeing. This was great, this was unbelievable. We watched in awe as they finished their set.
"The next band were The Paupers. They started their set with their new hit song Magic People. There was a sound: the fuzz bass played by Denny Gerrard. Me and Geddy looked at each other and decided right then that we were going to play bass, too. Denny stood in his sluggo cap and pounded out an amazing riff that nobody had ever heard before. Little did we know that, during the show, the group, led by Skip Prokop and Adam Mitchell, would let Denny loose to do a 10 min bass solo. When he finished, completely exhausted, he left everyone in the audience stunned by what they’d just heard.
"That week, we begged, borrowed and maybe stole money to buy our own bass guitars and two small amps. I took my bass home and started practicing. I read my 'Introduction to Bass Playing' book. I did scales and learned how to tune the bass. After a couple of weeks, I thought I was getting the hang of playing and sounding pretty good, so I went over to Geddy’s house to show him. When I got there, he had his bass out and one of those old portable record players where, when you opened it up, the speaker would be in the lid. I got out my bass out and said “'kay, let’s do some scales.' Geddy looked at me and said, 'Um, I can’t do scales.' My confidence started to rise. 'I’ll show you,' I told him. 'Just follow me.' Maybe I did have some talent.
"Geddy said, 'Wait, before we do that, let’s listen to this record.' I told him that would be fine. The record started on the cheap portable player and he said, 'Listen, can you hear the bass?' Then he said, 'Look at this,' and started playing. His bass came alive. It pounded the speakers of the 12″ amp and sounded great. I didn’t know if he was copying the record or not because I couldn’t even hear the bass on the record. He did the same thing on the next song and the next one after that. I went home and put my bass away and I don’t think that I ever picked it up again. I guess, looking back, it would have been tough for anyone to compare with the best bass guitar player in the world. I think that both of us made the right decision."
"On June 30, 1967, I saw the Mandala at the North York Centennial Arena. At the side of the stage Donny gave me his autograph and his Mandala button. He told me how important it was to keep practicing and if I worked hard, I might get the chance to stand on stage and play for people some day. I was beaming. He was my first real inspiration and to this day I have a deep love and admiration for a man who truly knew the meaning of soul. I am proud to be a humble part of his enduring influence".- Thanks to RushIsABand for the headsup!
Working Man, Fly By Night, Closer to the Heart, The Spirit of Radio, Freewill, Limelight, Tom Sawyer, Red Barchetta, New World Man, Time Stand StillGrand Prize Winner will receive: $5,000, 2 tickets to the R40 Live 40th Anniversary Tour show in Los Angeles, CA on August 1st, 2015, 2 Meet & Greet passes to the R40 Live 40th Anniversary Tour show in Los Angeles, CA on August 1st, 2015, A meeting with OLE MEDIA MANAGEMENT Creative Rep, A Limited edition Rush Fender Squier Bass, A lyric video of the Winner’s Cover on ole’s YouTube channel
“I owe our fans so much as they have helped float us support us for over 40 years now. They’re growing devotion to us is not something that I take lightly. I really do appreciate it, and you know, you can never make them all happy— it’s not possible, but we try. I think that the best way for us to try is just to be ourselves. I think our real fans understand that if we disappear for a couple years, it’s because we really need to. If we do things a particular way or if we don’t play that album on a particular tour, that’s just not where we are at the moment and that also comes as part of being a Rush fan.”
“All of our early albums were written on acoustic guitar. When Geddy [Lee, bass and vocals] and I would write the music, we’d sit down with a cassette recorder and two acoustic guitars, in spite of the fact that we were a hard rock band.- Thanks to RushFanForever for the headsup!
"‘Closer to the Heart’ is a sweet, ballady type of song, but we mix it up. It takes an interesting course as the arrangement builds. Once we got the basic arrangement down, we knew that the intro would be acoustic, and then we took it up a notch dynamically and brought the whole band in.
"The 12-string intro gives it the illusion of being an acoustic piece, and then the rhythm section comes in and the song changes into a kickin’ rock tune.”
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UPDATE 4/29 - Yesterday Kevin J. Anderson announced: "First release from CLOCKWORK LIVES: The Bookseller's Tale is now available in all eBook formats. Cool multiverse tale of Mrs. Courier! Also includes an afterword on the writing of the project with Neil Peart...and a cameo from Vertical Horizon's Matt Scannell."
You can purchase the ebook of The Bookseller's Tale now at Smashwords.com.
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"In Clockwork Angels, #1 bestselling author Kevin J. Anderson and legendary Rush drummer and lyricist Neil Peart created a fabulous, adventurous steampunk world in a novel to accompany the smash Rush concept album of the same name. It was a world of airships and alchemy, clockwork carnivals, pirates, lost cities, a rigid Watchmaker who controlled every aspect of life, and his nemesis, the ruthless and violent Anarchist who wanted to destroy it all.For more info, check out Kevin J Anderson's 35 minute Rushcast podcast interview given on March 1st where he speaks at length about the the new novel.
"Anderson and Peart have returned to their colorful creation to explore the places and the characters that still have a hold on their imagination. Marinda Peake is a woman with a quiet, perfect life in a small village; she long ago gave up on her dreams and ambitions to take care of her ailing father, an alchemist and an inventor. When he dies, he gives Marinda a mysterious inheritance: a blank book that she must fill with other people’s stories — and ultimately her own. Clockwork Lives is a steampunk Canterbury Tales, and much more, as Marinda strives to change her life from a mere 'sentence or two' to a true epic."
Well, we're not finished as a band. We still talk about recording.Check out the full interview here.
Who knows, there may be an opportunity in the future to do not a big tour, but a series of concerts ... like a week in Massey Hall or Radio City Music Hall.
Ged and I are just itching to get back into writing. He just revamped his studio, and he's not a tech kind of studio guy. He doesn't know how probably even one per cent of that stuff works. But he's had this renaissance of being a musician and wanting to play and study more — it's really inspiring to see. When things slow down we'll start to do some writing, for whatever purpose. We've always talked about doing some soundtrack work.
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