"A deluxe edition reissue of Hemi-Vision will touch down September 25 through Universal Music Canada digitally, on CD and as a 2xLP set pressed to 180-gram bright green and orange vinyl. The deluxe package puts the original album alongside six previously unreleased bonus tracks, rare photos and memorabilia from the band's archives, and extensive liner notes by Gordie Johnson with a foreword from Rush guitarist Alex Lifeson." - exclaim.ca
"In Tribute to The Professor, Neil Peart, we are releasing our version of RUSH's 'Working Man' that we recorded January 2020. All Proceeds will benefit Brain Tumor Research at Cedars-Sinai Medical Center in his memory. Members of our band and our manager were in the audience on August 1, 2015 when this was the final song played by Neil, Geddy and Alex. We are forever grateful for all of the music and memories. Thanks to Carl Saff for donating his mastering services and to David Medel for donating his art services. Thanks to Jim Monroe for the studio time, engineering & mixing hook up. Thanks to Meg and everyone in the Rush family. Thanks to John Raso for going the extra mile to help us get this out. This is a digital release only...for now"
The event streams live this Saturday on Neil's birthday, September 12th, at 8 p.m. ET and will be available to watch on LiveXLive.com and Fite.tv. A ticket to the pay-per-view event costs $12.99 (tickets available here) and lets you stream the show from your phone, tablet or computer. You can also watch it on your TV through the Fite TV app, which lets you cast the action onto the screen via Apple TV, Roku Streaming Stick, Fire TV and more.
Other performers for the night include Cindy Blackman-Santana, Thomas Lang, Alex Gonzalez (ManĂ¥), Jim Riley (Rascal Flatts), Dom Famularo, Carmine Appice (Vanilla Fudge), Keith Carlock, Todd Sucherman (Styx), Kenny Aronoff, Gregg Bissonette (Ringo Starr), Ray Luzier (Korn), and Kristina Schiano. The event will also feature appearances by Carl Palmer, Eric Singer, and Mike Portnoy, among others.
Hitting bookstores today, to mark the 40th anniversary of the Marathon of Hope, the book Forever Terry: A Legacy in Letters recounts
the inspiration, dedication, and perseverance that Terry Fox embodied,
and gives voice to an icon whose example spoke much louder than his
words. Comprising 40 letters from 40 contributors including an epilogue written by Geddy Lee, and edited by Terry's
younger brother Darrell on behalf of the Fox family, Forever Terry pays
tribute to Terry's legacy, as seen through the eyes of celebrated
Canadians. Author proceeds support the
Terry Fox Foundation, which has raised over $800 million for cancer
research. - Thanks to RushFanForever for the headsup!
"Storied" is a new collection of 22 videos narrated by Bob Kendrick, president of the Negro Leagues Baseball Museum in Kansas City, released on YouTube, Spotify and on Pro Athlete's website. Below is Chapter 5 which tells the story of the Geddy Lee Baseball Collection! - Thanks to Rosmakloma for the headsup!
Before the days of digital, Rush fans had to work hard to stay updated on current news for their favorite band. In 1980, The Rush Backstage Club was created to deliver, via regular mail service, band news, tour dates, fan Q&A's, merchandise catalogs, and a young Neil Peart's reflections. Over the years, there were over thirty newsletters released, some were full of timelines from Neil, some contained tentative upcoming tour dates, and some were merely merchandise catalogs. We have reprinted and bound the most meaningful of these newsletters in a 9" X 12", 72-page folio.
This folio is printed in Canada on heavy art paper, with open-stitch binding on the spine. Along with actual newsletters, there are a couple of other visual features, as well as a couple hand-typed notes from Neil to their management company SRO. There is an Introduction written by Ray Wawrzyniak, and Foreword written by Patrick McLoughlin.
All North American orders will receive FREE shipping on this item! Order now đŸ‘‰ https://bit.ly/2JJnMxw
"Hugh Syme is one of the most acclaimed album designers in history - his 40+ years with Rush as well as his work with Dream Theater, Megadeth and so many more."
Artists and albums discussed: Rush (11:37), Hemispheres (18:25), Permanent Waves, Moving Pictures, Signals (22:03), Test For Echo (31:15), Bon Jovi – New Jersey (35:30), Warrant – Cherry Pie (39:35), Whitesnake (44:03), Aerosmith – Get A Grip (47:25), Def Leppard – Retroactive (53:30), Megadeth - Youthenasia (55:05), Megadeth – Countdown to Extinction (58:00), Dream Theater – Distance Over Time (1:00:53), Dream Theater - Octovarian (1:04:05), Iron Maiden – X-Factor (107:11), KISS – Revenge (1:10:37), Alice Cooper – A Fistful of Alice (1:11:35) Billy Thorpe (1:15:35).
"Growth Rings" Co-written by Jeremy Bout and recorded by Neil Peart of RUSH, one of the greatest drummers of all time, this short film honors the way in which music marks moments in our lives. Just as the life of a tree can be understood through it's growth rings, we can look at the milestones and eras of our lives and reminiscence of the songs and bands that resonated with us during those times.
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"That was not an accident! Alex Lifeson is on the title track. He's on the title track of my life and career trajectory. He was one of the first supporters of Big Sugar and one of the greatest mentors that I've had. And he's such a down-to-earth chill guy. He saw us coming up, liked our music, and would do things like 'Hey, man, here's a double-neck guitar. Why don't you take the Xanadu guitar and use it for a while?' Like, who does that? So I texted him and I had to explain myself because it's such a Rush knock-off. I got the Taurus Moog pedals in there and gave it the full Moving Pictures treatment. But he not only sent me a wicked guitar solo but a bunch of overdubs-acoustic guitars and banjos and all kinds of other production to put in the track. It got way Rushier. And I'm good with it. ... He still plays great. And when he sits down to play, only one sound comes out of that amp." - Global News, May 8, 2020Check out the track below:
"With extensive, first-hand reflections from Geddy Lee, Alex Lifeson, and Neil Peart, as well as from family, friends, and fellow musicians, Anthem: Rush in the ’70s is a detailed portrait of Canada’s greatest rock ambassadors. The first of three volumes, Anthem puts the band’s catalog, from their self-titled debut to 1978’s Hemispheres (the next volume resumes with the release of Permanent Waves) into both Canadian and general pop culture context, and presents the trio of quintessentially dependable, courteous Canucks as generators of incendiary, groundbreaking rock ’n’ roll."Excerpt. © Reprinted by permission. All rights reserved.
Like Geezer Butler in Black Sabbath, to reiterate, Geddy indeed began on guitar. Alex, however, missed this part of Lee’s evolution.
“I didn’t know Ged when he played guitar. So the transition was already completed by the time we started jamming together and playing. Because that’s what we did after school. We’d plug into his amp and play. There was one guitar and one bass. So I’m not really sure about that transition. I’m sure he was interested in guitar like everybody was interested in guitar. But once we actually started playing and learning instruments, that was his chosen one. Just think John Rutsey in that early days―the drums became his thing but I don’t know if in his heart he wanted to be a drummer. I think he wanted to be a guitarist as well. But everybody had their job that they sort of gravitated to.”
Says Geddy, “I was nominated to be the bass player when the first band I was in, the bass player couldn’t be in our band. I think his parent’s prohibited him or something, and we had no bass player so they said, ‘You play bass’ and I said okay, and that was how simple it was. That happens to a lot of bass players. Everyone wants to be a guitar player, but I was happy to be bass player. Bass player is like being a major league catcher. It’s the quickest way to the majors. Nobody wants to be a bass player. It’s a great instrument, it really is, awesome way to spend your time. I had teachers you know; I’m just carrying on the tradition of Jack Bruce, Jack Cassidy, Chris Squire, a fine tradition of noisy bass players that refuse to stay in the background. So I feel that’s my sacred duty, to carry on what they started.”
"Feeding the Chicago natives’ fascination with avant garde film scores, Esterly embarked on a pioneer project. Taking notes from visionary composers such as Hans Zimmer and Danny Elfman, Esterly meticulously selected culturally influential classics to cover with cinematic flare recreating the very narrative each song represents through his sonic alchemy. 'This project is a challenge to myself to reimagine these songs in a cinematic viewpoint,' says Esterly. 'Within a three minute track, could I create the rise and fall of a cinematic arc inside a song people already know and love?'” - divinemagazine.biz
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