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| "The Body Electric" single |
Rush – "The Body Electric"- Thanks to RushFanForever for the headsup!
No strangers to exploring the world of science fiction in song, Rush's "The Body Electric" tells the story of "an android on the run" in search of freedom from its electronic existence. In linking the world of robotics to the human race with the song's protagonist's individualist aspirations, the song's chorus features bassist/vocalist Geddy Lee singing the binary code '1001001,' which translates to a capital I.
And here's some irony: "The Body Electric" comes from the band's 1984 record Grace Under Pressure, on which machines — namely, Lee's synthesizers and Neil Peart's electric drums — played a prominent role in their songwriting.
Geddy Lee, lead singer from the group Rush, made a trip to Miami with the purpose of securing some autographs.
"The Negro Leagues Baseball Museum in Kansas City has an unlikely Canadian connection by way of Rush, Toronto’s most famous progressive-rock exports. Geddy Lee, the band’s frontman, who is also a diehard Blue Jays fan and noted collector of baseball memorabilia, donated a collection of more than 200 baseballs signed by Negro Leagues players to the museum. It’s the largest collection of its kind in the world and one of the most popular exhibits at the museum.Click here for the complete story.
"'And it’s all due to the benevolence of one Geddy Lee, a white, Canadian rocker,' museum president Bob Kendrick says, laughing. 'It just goes to show this story has no boundaries, it has no limitations, it touches virtually every one who experiences it.'
"Lee, who won the collection at auction, never disclosed what he paid, Kendrick said.
'... I tell people all the time: I can’t say I was a big Rush fan before, but I’m a big Rush fan now.'"
As the long-time right hand for [SRO/Anthem President) Ray Danniels, Cecconi has had a pivotal role in the rise of Rush to the title of ‘world’s biggest cult band.’ For instance, she executive produced the longform DVDs that have become a major revenue stream for the band (and SRO/Anthem).Click here for more.
The fiercely loyal and feisty Cecconi is exactly the kind of business person any artist would love in their corner. She notes that “Rush are as big as they are because of Ray Danniels’ total loyalty. I was brought under that wing. When I fight for fuckin Rush, as far as I’m concerned they’re the Beatles, there’s nothing else. You sit there with people having big stars, and we’d be the pain in the ass- ‘you’re not getting this or that.’ That part was fun. Ray’s thing was I want more so you’d figure out what more you could give them.”
As we lured the reluctant interviewee down memory lane, we got a chuckle out of her anecdote about her first dealings with Ray Danniels and Rush. “I met Ray when I was booking bands at my high school, Roland Michener Secondary School in South Porcupine, Ontario. He was my agent and he used to try to sell me Rush. I'd say’ no way. I can get a four-piece band for the same price as a trio. If Rush had ever played my high school the shit would have been beaten out of them!’
“I started with Ray but he wouldn’t give me a job. My first job was as an agent with Tommy and Vic Wilson, who had the Concept 376 agency. At the time it was on 57 Spadina in Toronto. I had a job working with Cliff Hunt there. I made 60$ a week but I was on commission and I was suddenly making $400. That was good money for 1972.”
"The first time you listen to one of their records it kind of sneaks up on you,” Lee says. “It sounds simpler than it is. There is a particular way the power of those guitars work together.… [They] always sound sinewy and muscular. Then you put Gord's voice and his lyrics on top of that, and after repeated listening, you really start to love it. It just gets inside you. I think that's a trademark of the Hip."Click here for more. - Thanks to Ed @ RushIsABand for the headsup!
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