OverviewBe sure to check out "Kevin J. Anderson talks "Clockwork Lives", "2113", Rush and more"
The music of Rush, one of the most successful bands in music history, is filled with fantastic stories, evocative images, thought-provoking futures and pasts. In this anthology, notable, bestselling, and award-winning writers each chose a Rush song as the spark for a new story, drawing inspiration from the visionary trio Geddy Lee, Alex Lifeson, and Neil Peart.
From stark dystopian struggles to uplifting triumphs of the human spirit, the characters populating 2113 find strength while searching for hope in a world that is repressive, dangerous, or just debilitatingly bland. Most of these tales are science fiction, but some are fantasies, thrillers, even edgy mainstream. Many of Rush’s big hits are represented, as well as deeper cuts . . . with wonderful results. This anthology also includes the seminal stories that inspired the Rush classics “Red Barchetta” and “Roll the Bones,” as well as Kevin J. Anderson’s novella sequel to the groundbreaking Rush album 2112.
2113 contains stories by New York Times bestselling authors Kevin J. Anderson, Michael Z. Williamson, David Alan Mack, David Farland, Dayton Ward, and Mercedes Lackey; award winners Fritz Leiber, John McFetridge, Steven Savile, Brad R. Torgersen, Ron Collins, David Niall Wilson, and Brian Hodge, as well as many other authors with their imaginations on fire.
Canada’s music education charity MusiCounts is thrilled to announce Don Bossé of Fredericton High School (FHS) in Fredericton, NB as the recipient of the 2016 MusiCounts Teacher of the Year Award. Canadian Music Hall of Fame inductees and multiple GRAMMY®-nominated band Rush have joined forces with MusiCounts as the sole sponsor of this year’s award, which recognizes teachers with outstanding dedication to inspiring and nurturing the musical growth of Canadian youth. Rush members Geddy Lee and Alex Lifeson surprised Bossé, who is a fan of the band, while he was in Toronto last week for a private shopping experience at Holt Renfrew Men for his JUNO red carpet-ready suit.In addition, in a new interview with Toronto's 680news.com, Geddy Lee discusses the importance of music education:
At the surprise presentation to Bossé, Geddy Lee and Alex Lifeson spoke about the reasons they chose to support this award. “When everything you have in life has come from the fountain of music, you want to spread that around and you want to encourage others,” said Lee. “Music is a fantastic way to enrich your life and to express yourself, so to encourage teachers to help young people find that in themselves is a very noble cause.” “It’s also way more fun than math,” added Lifeson.
Bossé received $10,000 plus a $10,000 contribution to his school’s music program. In addition, he will experience VIP treatment throughout JUNO Week, attending the Chairman’s Reception and the JUNO Gala Dinner & Awards, and will walk the red carpet at The JUNO Awards Broadcast on April 3rd in Calgary. For the full story click here.
TORONTO – Rush frontman Geddy Lee says music saved him in many respects as a youngster dealing with teenage angst and the death of his father.
“It was one of the first things I found that I was really good at doing,” recalls the vocalist, bassist and keyboardist. “I was kind of a medium kid in every other aspect.
“I was kind of medium at school, nothing grabbed me in terms of education besides maybe English and history … and I liked the graphic arts and things like that.
“But music was the first thing I found that I was good at picking up and expressing myself with.”
UPDATE: Monday night Alex Lifeson appeared at the “Hello! Thunder Bay!” comedy show in Toronto. He also did a Q&A with Dave Bidini that is NOT to be missed. Alex talks about some early Rush concerts and is his usual hilarious self. He also tells what REALLY happened when The Runaways opened for Rush...! Check it out here:In addition to wanting to stay home with his family more, Peart struggled with the physicality of touring on R40. "His shoulders were hurting, his arms were hurting, his elbows, his feet, everything," Lifeson says. "He didn't want to play anything less than 100 percent. He was finding it increasingly difficult to hit that mark on this last tour. So, all those things combined, I get it. I'm disappointed and I think Geddy [Lee] is very disappointed and we'd love to continue this tour a little bit longer, but we're off now."...The guitarist has also been speaking with Peart occasionally since the final tour date, and he reports that the drummer is "having a wonderful time" and "very happy."Looking forward to the future, Alex adds:
"Maybe next fall or something like that, we'll plan something. We took a year off before the last tour and we didn't discuss anything about the band or work, and everybody had a great time, and we came back from that." He laughs. "We're getting older and it's getting tougher, but I don't know. We'll see."
When Canadian indie-rock band Wintersleep were recording their new album, The Great Detachment, they got sidetracked chatting about their love for one of their country's most famous musical exports. "We were talking about how amazing Rush was ... and how incredible Geddy Lee is," Paul Murphy, the band's lead singer, told Rolling Stone. "He can sing these incredibly complex melodies with complex lyrics, while playing perhaps even more incredibly complex bass parts, while also operating foot pedals. If there was an instrument he could play with his eyeballs, I'm sure he'd be able to!"
Coincidentally, later that same night, the band ran into trouble while fine-tuning the bass line on one of the tracks, "Territory." "It was cool but the song didn't feel as lively as it should in the end," Murphy explains. "Someone was like, 'What would Geddy Lee do?' jokingly, and Tony [Doogan, producer] was like, 'Oh, the best bass player in the world? He'd make it incredible. Why don't we just ask him?'"
They did, and Wintersleep's "what if ...?" fantasy quickly turned into reality.
"Wintersleep contacted me a while ago and asked me to play bass on this track," Lee told RS. "I had a listen and loved the song and the vibe of the band. I had a blast laying down a bunch of takes and sent them off to them. I'm happy to support a fellow Canadian band and wish them all the best with their new album."
The result is "Territory" — no relation to the 1985 Rush song "Territories" — a muscular, hard-driving track that builds to a bright, yearning chorus. Lee's trademark gritty tone and melodic inventiveness are easily identifiable, but there's nothing showy about the performance; his bass lines blend perfectly with Loel Campbell's drums and provide a firm anchor for the rest of the track.
"The bass line we originally had for 'Territory' was just kind of playing the roots of the song," Murphy explains of Lee's contribution. "There was a sort of hook-line melody in the choruses, but that melody sort of combated with Tim [D'eon]'s lead line in a weird way. It's kind of an odd time signature, so it sometimes is hard thinking more creatively when a riff is long and kind of odd like that. In the end, the song just felt a little sticky and maybe a bit too dark, lacking the energy it needed. With a relatively dark lyric and a generous amount of minor notes in the progression, you have to be careful because it can just feel a bit dark and a bit too stone-faced or something.
"Geddy's part was perfect because it had this great groove and locked into the vocal melody in the song from time to time, bringing more weight to the melody in important spots. It added a certain playful dimension to the equation because it's so dynamic. Also, Tony was able to strip the song down more in the mix in sections because the bass had such a neat character and fuller sound, which was huge for the song dynamically."
“It (Moving Pictures) gave us a kind of acceptance and credibility that none of our previous records had previously done.” - Geddy LeeRUSH Moving Pictures @ 35/ InTheStudio interview is now available for STREAMING here. For a complete list of InTheStudio broadcast affiliate radio stations click here.
“It was very enjoyable making Moving Pictures. It flowed, everything sounded good. The vibe was good, everybody was in great spirits during the whole process.” - Alex Lifeson
“Being a trio is something that is special to us and I think it’s special to our fans too... We are known as a trio. Our reputation has a lot to do with our live show and what the three of us can do live.” - Neil Peart
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