VH1 Classic's "Rush Hashanah" Starts Tonight: the World Premiere of "Time Machine Live In Cleveland"

VH1 Classic's annual "Rush Hashanah" celebration kicks off tonight, September 28th, with "Rush Classic Albums" at 7PM and will be followed by the world premiere of Time Machine 2011: Live In Cleveland from 8-10PM.  Additional Rush airings will include Rush: Beyond the Lighted Stage, R30 and Rush in Rio. 

Professional Lighting & Production Summer 2011 Issue

Check out the online edition of the Summer 2011 issue of Professional Lighting and Production for the cover feature "A Rush Of Light, Four Decades In The Making", an interview with lighting designer Howard Ungerleider. - Thanks RushFanForever for the headsup!

Machine Head Covers "Witch Hunt", gives props to Rush

San Francisco metal band Machine Head's Unto The Locust, was released September 27th; the special edition includes a cover of Rush's "Witch Hunt".  

In April of this year, the band had posted "The Making Of The New Album" to Youtube showing their "Jam Room" containing 2112 among a collection of posters of "all of our favorite bands, the bands that meant something, and helped create what we became" (the video also shows drummer Dave McClain wearing a Permanent Waves t-shirt).

"Machine Head drummer Dave McClain says their much anticipated new album has come together with a little bit of help from veterans Rush...'Three records ago I bought Robb the whole Rush catalogue and that's when our songs started extending with lots of parts. Kinda more challenging ourselves. Rush are responsible for a lot of things, even mentally in this band.  There was an interview with Geddy Lee (Rush singer) a long time ago where he said "If we get played on the radio it’s going to be by accident." Because they wouldn't write for radio and that struck a chord with all of us especially in the "Through The Ashes" where it was a crossroads in our career where we said if we were going to be ousted out of the music business we wanted to go out fighting and be a pure 100 per cent metal band and not worried about what anybody said.'" - RockAAA.com, August 2, 2011

"Interview with Andy Curran – A&R at SRO/Anthem"

One Louder Magazine has published a new interview with Andy Curran, A&R at SRO/Anthem.  Andy discusses his career in music, including his current job at SRO, his day to day jobs, the Time Machine Tour, and more. Click here for the article. - Thanks to Skip Daly for the headsup!

Time Machine Tour - In pictures: Alex Lifeson's live rig

Total Guitar has posted another feature featuring Alex's Lifeson's live rig on the Time Machine Tour.  Check it out here. - September 23, 2011

The 2010 leg of the Time Machine Tour kicked off June 29th in Albuquerque, New Mexico, and concluded October 17th in Santiago, Chile. The 2010 tour ranked #29 on Pollstar's Top 50 North American Tours, grossing $26.4 million with 372,407 tickets sold over 36 shows.

The 2011 leg of the Time Machine Tour kicked off March 30th in Ft. Lauderdale, Florida, saw the first ever filming of a US Rush Concert in Cleveland on April 15th, their first visit to Ireland, as well as stops in Canada, Scandinavia, Britain, Holland and Germany before coming to a close on July 2nd at The Gorge near Seattle, Washington.

Visit the Time Machine Tour News Archive for complete tour details including news and reviews, setlist, band comments, concert photos, videos, and essential links.

Rush Producer Nick Raskulinecz: "We will start recording again in mid October."

In a new interview, Rush Producer Nick Raskulinecz discusses the current status of Clockwork Angels.

"We have recorded two songs already and we released them last year and then the band went on tour. But we are currently in preproduction right now so that we can finish the rest of the record which we will start recording again in mid October."

Read the full interview, "Nick Raskulinecz: 'The Music Industry Is A Sinking Ship'", at UltimateGuitar.com - Thanks to Ed at RushIsABand for the headsup!

3 Inches Of Blood Covers "Anthem"

In February 3 Inches Of Blood, a Canadian heavy metal group from Vancouver, announced that they had recorded a cover of Rush's "Anthem".  The song will appear in the new film "Lloyd The Conqueror", which stars Mike Smith (Trailer Park Boys), which will  premiere September 24th as part of the Calgary International Film Festival.  In addition, directly following the premiere, 3 Inches of Blood will be performing at the official after party beginning at 9:00 PM at Dickens Pub; tickets can be purchased here: www.primeboxoffice.com. - Thanks to RushIsABand for the headsup!

"...Shane [Clark] reveals, they have recorded two new Clark-penned originals and a cover of Rush's 'Anthem'. 'For the last five years, I've had this compulsive Rush disorder,' he laughs, explaining that his Rush obsession began when he saw their documentary Beyond The Lighted Stage. 'When that documentary came out, it just kicked that into high gear. It's just such a great movie. You get to know the whole band a little bit better. Alex Lifeson is one of my favourite guitar players. The way he plays, no one else sounds like him. That's very influential for me.'" - RockStarWeekly.com, February 27, 2010

Geddy Lee Interviewed For The Chop Shop's 9/11 Tribute

"Envision Radio Networks' The Chop Shop Guitar Show's 9/11 Tribute is now available for streaming here.  The show, which will also run on the show’s affiliate stations, features personal remembrances from a number of classic rock artists who found their lives forever altered by the events.

Host Steve Black is joined by Geddy Lee of Rush, Joe Perry of Aerosmith, guitarist Steve Vai, members of the Trans-Siberian Orchestra and several others who share their stories, surrounded by the music that helped to bring everyone together as our country worked to move forward.

Geddy Lee recalls the moment when he learned about the attacks: "I was in Toronto and somebody found me and told me to turn on the television and of course I sat there for the next two hours just completely stunned and appalled by what I was watching."  He went on to say, "My reaction was much the same as any normal human being, I was sickened by it and it had a profound effect on the entire world I think and life has really not been the same since that day." - UltimateClassicRock.com, September 10, 2011

Tom Cochrane Releasing New EP featuring Alex Lifeson

Today Canada's RockstarWeekly.com announced that Tom Cochrane will be releasing a four song EP featuring Alex Lifeson later this year:

"Tom Cochrane will return with his first new release since 2006. The ‘Life is a Highway’ singer is planning a limited edition four song EP, originally scheduled for a September 2011 release. The EP, will contain three new un-released tracks and a new single and title track ‘Voices At 4 AM’, featuring Andrew Cole, Alex Lifeson (Rush), Lyle Molzen (Jann Arden, Michael Buble), Kenny Greer (Red Rider), Kenny Aronoff (John Mellencamp, Bob Seger, Elton) and Carl Jennings.

Rush Featured in "Mobile Production Monthly"

Rush is on the cover of the latest issue of Mobile Production Monthly.  The issue is available online; click here to download.  Included are multiple feature stories from the Time Machine tour, with road crew interviews, multiple photos and more. - Thanks to Ed at RushIsABand for the headsup!

Alex Lifeson music for "The Double" - sample now online

We learned last spring that Alex Lifeson has contributed to the musical score including the "outro/credit" music for the upcoming film The Double staring Topher Grace, Martin Sheen and Richard Gere, set for release September 23rd.  The plotline is "a retired CIA operative is paired with a young FBI agent to unravel the mystery of a senator's murder, with all signs pointing to a Soviet assassin", and features a musical score by John Debney.

The film's co-writer Derek Haas has uploaded a two minute clip of the credit music, titled "Don't Look Back", and had this to say about working with Alex Lifeson:

"Alex Lifeson played guitar on the score throughout the movie (the great John Debney composed it). We asked Alex to write a song for the closing credits and he wrote/recorded "Don't Look Back," a brand-spanking new single. ... How this came about: Michael and I got to know Alex and Geddy when they were in LA finishing Snakes & Arrows. Alex is a movie-buff and literature-buff and he expressed interest in scoring films. (I hope you detect my admiration shining through... he's truly one of the greatest guys I've ever met. Geddy too, but that's a different story.) As we were putting THE DOUBLE together, Michael and I told Alex we'd love for him to be included any way he wanted. We did the movie for very little money so we weren't going to be able to afford him but we wanted to throw it out there. He was between the two tours so he asked us to send him the latest cut of the film and he started talking to the composer (Debney) via email and the phone. Then he just went to town... the guy is astonishing. And generous. The single is definitely not a RUSH song but you can sure here Alex's distinctive 'voice' all over it."- Derek Haas, The Rush Forum, August 15, 2011

Neil Peart, Rhythm Magazine's August Cover Story - Transcript Online

The August 2011 issue of U.K.'s Rhythm magazine includes an 11-page cover feature on Neil Peart.  The complete transcript of this article is now online at Cygnus-X1.net.

"Peart lets the reader in on why, after 45 years behind the kit, he's still working to make himself a better player. Neil talks about taking lessons, improvisation, finding the perfect sound and much more. The reader also gets a guided tour (see video below) of the "Time Machine" kit from Neil's drum tech Lorne Wheaton and winds the clock back to The Professor's first-ever Rhythm cover way back in 1987." - Blabbermouth.net, July 5, 2011

Alex Lifeson, One Of Guitar Player's 50 Rhythm Guitar Gods

The October issue of Guitar Player includes the cover story "50 Rhythm Guitar Gods" with the following from Alex Lifeson:

“I’ve tried to develop a style that combines broad arpeggios and suspended chords,” explained Lifeson. “They’ve been my two main target areas. Suspensions have been my trick for many years to make a trio sound big.” Not very often are you treated to a body of rhythm work like Lifeson’s, from classic riff rock (“Working Man”) through heavy prog (“Xanadu”) onto the textural ‘80s and ‘90s, deftly riding the heavier sonic zeitgeist all the way to 2011. Along the way, Lifeson has also incorporated more feels into his vernacular as well, including reggae (Permanent Waves and Moving Pictures) and funk (Roll the Bones). Lifeson has done it all, and never at the expense of his own personal voice." - Guitar Player, October 2011

Thanks to Frank Panacci for the headsup!

Rush Signs To Roadrunner Records!

Today Roadrunner Records issued a press release announcing that Rush has signed with the indie label.

"We have tremendous respect for Roadrunner Records, and what Cees Wessels and Jonas Nachsin have built on a worldwide level. After years of Roadrunner pursuing the band, Tom Lipsky presented a deal that worked and the timing was right. We wanted to be at a label focused on the rock genre – and that’s Roadrunner," said Ray Danniels, manager of Rush.

While the press release demonstrates excitement by both Roadrunner and Rush manager Ray Danniels, it is unclear how exactly this will affect Rush.  The fact is that Roadrunner is an independent label which is owned and distributed by WEA (i.e. Warner Elektra Atlantic), or in otherwords both are subsidiaries of one large umbrella.  This is apparently a lateral move from a major label to an independent label that is distributed by a major label.  This is supported by the fact that Rush owes/owed Atlantic one more studio album under their previous aggrement; apparently the previous aggreement is being fullfilled by the new arrangement with Roadrunner, although that is purely supposition at this time.  In addition, the time period of this record deal remains unspoken.  Read the complete press here.  For a video press release click here. - Thanks to Brad, John, Frank, Darren and everyone else who emailed for the headsup!

Bubba's Book Club - September 2011

Neil Peart has updated his website with a the September 2011 issue of Bubba's Book Club.  In this issue, Neil discusses only one book, After Many a Summer Dies the Swan, by Aldous Huxley.  Click here for more.

Costco Connection, interview with Geddy Lee and Rush Giveaway

The September issue of the Costco Connection [available in stores or online here] features a promotion for the Rock Icons series including Rush's Icon 2 (released July 19th), including a brief interview with Geddy Lee.

The Costco Connection: You’re Rush’s main vocalist and bass player, but you also play keyboards, control sequencers and work bass pedals with your feet. Given the technical mastery all those duties require and the sheer difficulty of it all, have you ever thought about bringing in other musicians to share some of your workload?

Geddy Lee: Oh yeah [laughs], I used to bring it up at the beginning of every tour because there were times when it felt quite daunting to have to deal with all the electronic apparatus when I really just wanted to sing and play bass. So, yeah, I’ve had to wrestle with that question quite often. But, in the end, we’re quite a tight unit, the three of us. And we just kind of figure that our fans would rather see us up there with our technology rather than see us fill up the stage with sidemen. We opted to go the difficult route. But I did get them [guitarist Alex Lifeson and drummer Neil Peart] to share some of the sequencing responsibilities. So that helps a bit.

CC: Even just singing and playing bass is very difficult for most musicians. Was that a trick for you in the beginning?

GL: Yeah, especially on some of our songs. Sometimes you write a song that has a really cool riff, and then you write the melody later, and record it separately. Then when you go to rehearse it, you go, “How do I do this?” because one part has very little in common with the other part. It’s hard to get your brain synchronized … you kind of split your brain in two, and, if you practice it enough, it starts to come naturally. Sometimes you have to compromise a bass part a tiny bit to let it fit more comfortably into your brain pattern, but generally I’ve found it’s like Malcolm Gladwell’s 10,000-hour rule [Author Malcom Gladwell says that the best way to achieve success in any field is to spend 10,000 hours honing your craft]. Just keep playing it, [and you will] eventually get it."

The magazine includes as a chance to win a Fender Geddy Lee signature bass or a framed, numbered 2011 limited edition Moving Pictures Litho signed by each member of Rush:

"Costco has one Fender Geddy Lee Bass® guitar to give away. For a chance to win, email your name, address and daytime phone number to giveaway@costco.com, with “Fender Geddy Lee Bass” in the subject line. Or, mail a postcard or letter to: Fender Geddy Lee Bass, The Costco Connection, P.O. Box 34088, Seattle, WA 98124-1088. Value is $1,399.99.

Costco also has one framed, numbered 2011 limited edition Moving Pictures Litho signed by each member of Rush to give away. For a chance to win, email your name, address and daytime phone number to giveaway@costco.com, with “Moving Pictures Litho” in the subject line. Or, mail a postcard or letter to: Moving Pictures Litho, The Costco Connection, P.O. Box 34088, Seattle, WA 98124-1088. Value is $160.00.

NO PURCHASE OR PAYMENT OF ANY KIND IS NECESSARY TO ENTER OR WIN THIS SWEEPSTAKES. One winner will be chosen for each item. Purchase will not improve odds of winning. Sweepstakes is sponsored by Universal Music Enterprises, 2220 Colorado Avenue, Santa Monica, CA 90404. Open to legal residents of the U.S. (except Puerto Rico) who are age 18 or older at the time of entry. One entry per household per prize. Entries must be received by October 1, 2011. Winners will be randomly selected and notified by mail on or before November 1, 2011..."

Thanks to Sindrew and Paul Southward for the the headsup!

Orange Amplifiers' Music Aid for Joplin Auction Ends This Week

Orange Amplifiers' Music Aid for Joplin fund-raising auction is currently underway, and will come to a close Wednesday, August 24th.  The auction is to help those affected by the worst tornado season to hit the USA in more than 50 years. 153 people were killed in Joplin, Missouri and the Glory Days Music Store also fell victim to the disaster. As a result of this, Orange will be donating a rare and valuable Union Jack half-stack worth at least $6,000 – the last of only 20 made.

The company has also encouraged support from other manufacturers and suppliers and the list of items being added to the auction is being updated daily.  Included in the list of contributions is Sabian cymbals 'money-can't-buy' 14” Paragon Crash, personally signed by Rush’s Neil Peart to be personalised with the winner's name.  Also included is an Orange CR50BXT bass amp signed by Rush’s Geddy Lee also personalized with the winner’s name.

Rush Transcript Archive

Last month I began working on updating the "News Archives" for the albums released since 2000. This has led to a major project, the creation of "The Rush Transcript Archive"; but first, some quick back history.

The individual album News Archives began back in 2000 with the release of My Favorite Headache, when I began keeping track of various online news transcripts and the like. I later created similar archives for Vapor Trails, Feedback, Snakes, etc. Over time, however, those News Archives got lost in the depths of my various pages and were not exactly easy to find, especially to new or infrequent users to this site. With that in mind, I decided to move most of the contents of these News Archives to a single centralized page.

I quickly went to work on it and soon realized something was lacking...there was very little online content from before the year 2000. This problem was easily solved, however. As a member of the National Midnight Star mailing list, I remembered receiving transcripts of everything from magazine and newspaper articles to radio interviews and more, all shared from Rush fans from around the globe via TNMS. To flush out the pre-2000 content, the old NMS transcripts have been invaluable. In addition to TNMS, I have hundreds of news clippings to be found in my Tour Archive, some of which were also worthy of transcribing. And of course, I've been collecting various magazines featuring Rush through the years. I've been working on transcribing these as well, and many have also been transcribed already by other Rush websites and messageboards. So that's the back story.

I've added the new "Rush Transcript Archive" to the "Literature" tab on the main menu.  Included are numerous magazine cover stories from the 80's and 90's which had nearly been lost, including transcripts from multiple issues of Guitar Player, Metal Hammer, Guitar World, Modern Drummer, Circus, Kerrang, Guitar For The Practicing Musician and more. Also included are more recent transcripts of Classic Rock, Ontario Golf, Prog, Vintage Guitar, Guitar World, Bass Player, Bass Guitar, DRUM!, Rhythm magazines and more, many of which were provided by John Patuto at Cygnus-X1.net.

This massive archive is an ongoing work in progress, and I'll be adding to it frequently in the future. Please feel free to email any suggested additions (high resolution scans work best). To be notified of new additions to the Rush Transcript Archive, follow my Twitter feed at http://www.twitter.com/pwrwindows, or follow me on Facebook.

I should mention here that this Transcript Archive does not include transcripts of stories or literature which inspired Rush...those are found on the "Rush Inspirations" page. I should also mention that I have a massive collection of concert reviews from both the Snakes & Arrows and Time Machine tours; those reviews were not included in the Transcript Archive, and remain in the Tour Archives in the individual Snakes & Arrows Tour News Archive and Time Machine Tour News Archive. Those pages were just too massive, and include so much more than just transcript links, that I kept them as is. (Clear as mud, right?)

Video editor Glen Lazarro looks back on the making of the "Time Stand Still" music video

Video editor Glen Lazarro looks back on the making of the "Time Stand Still" music video, and includes the "spoof" video to the right which is not to be missed!:

"Producer Stuart Samuels called Sales Executive Steve Ostrow to book me for 7 days straight. I would have to be available 24 hours a day. Zbigniew Rybcznski wanted the freedom of working around-the-clock on two Music Videos. One for Rush and one for Mr. Mister. He wanted to, as he said, 'Edit Live.'

Director Zbigniew Rybcznski was know for his Oscar winning short 'Tango' and his supremely cool Music Video 'Close To The Edit' by 'The Art of Noise.'

His early work was shot and edited on film but lately he had become enamored with Video effects and had shot his last few projects on Videotape.  I personally thought he seemed more concerned with technology rather that esthetics.

The Floating Aimee Mann Video. An edit suite was set up in the control room of National’s largest stage where I would live for the next seven days. You can see the edit suite at 2:17 in the Rush Video.  Zibig moved his wife and children into one of the green rooms. Rush and Aimee Mann moved into adjoining rooms. I got a room in a Holiday Inn across the street from National I never saw.

Zibig had shot footage of country landscapes for Rush and the idea was to shoot short pieces of Rush performing the song against green screen and composite them together. When we started working he decided that he loved the stage and wanted to composite Rush over that instead. I suggested that we shoot them live in the stage but Zibig wanted everyone to 'float' around the stage. He also insisted that everything had to happen 'live.' Each new layer would be placed on top of the preceding layer without making protection copies or 'laying off' a copy, as we used to say. The green screen footage was shot with the same giant studio camera Aimee Mann is using in the Video. Zibig would give some vague direction to Rush, I would set up the effects, play the audio track and press record and multiple One-Inch tape machines would roll up on the third floor. For 3 days in a row. It didn’t matter what time it was. If Zibig got an idea at 3 in the morning he would wake everyone up (I was sleeping in the control room) and we would all go to work. We started on Saturday morning and on Tuesday night we finished." - Glen Lazarro, 99Tigers.com Thanks to Rushfanforever for the headsup!

2012 Rush Wall Calendars

There are two Rush Wall Calendar's currently available for preorder at this time.  The Official 2012 Rush Signals Wall Calendar will be available (Geddy's birthday!) and can be ordered here.

A second 2012 calendar features Rush's album covers and will also be available in July, and can be ordered here.