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Rush grab their much deserved slot on our Top 100 Classic Rock Songs list with a track that found the band once again breaking new ground artistically.
The unmistakeable sonic boom synthesizer intro of ‘Tom Sawyer’ launches side one of 1981’s landmark ‘Moving Pictures.’ Thanks largely to this song, the LP reached the top five of the Billboard album charts and would eventually become the band’s bestselling record.
From the band’s perspective, every single second of ‘Tom Sawyer’ would be hard fought for in the studio as they worked to get things exactly right.
What began — as it often does — as simple noodling at soundcheck evolved into a much more complex undertaking. Fortunately their efforts paid off and ‘Tom Sawyer’ was quite well received, to put it mildly.
At Revolver Magazine’s Golden Gods Award ceremony Wednesday (April 11) night, Rush received the Ronnie James Dio Lifetime Achievement Award. Previous winners of the award were Ozzy Osbourne, Lemmy Kilmister and Motley Crue.
After giving a plug to the Ronnie James Dio Stand Up and Shout Cancer Fund, Tenacious D presented the band in their typical style, with Kyle Gass and Jack Black trading lines of praise about the band. “For almost 40 years, this band has been blowing our minds and expanding everyone’s definition of rock,” Gass said.
“Can anyone imagine a world without ‘Tom Sawyer?’” Black continued as the duo proceeded to name other Rush classics. “These songs and many others have become part of our collective DNA. They either inspired you enough to pick up an instrument and practice like hell”
To which Gass replied, “Or, let’s be honest, discouraged you from even trying to approach their technical prowess.”
Drummer Neil Peart was the only member of the band on hand to accept the award. Bassist/vocalist Geddy Lee was in Japan, and guitarist Alex Lifeson, who Peart claimed is “the funniest man in the world,” was in Toronto.
Although known for his challenging and wordy lyrics, Peart was uncharacteristically brief and direct in his acceptance speech. He simply wanted to “express our gratitude. Our lifetimes aren’t over, our achievements aren’t over, so this is like ‘So far, so good,’ and we’ll keep trying to get better. Thank you.”
CELEBRATED ROCK TRIO’S FIRST STUDIO ALBUM IN FIVE YEARS SET TO ARRIVE ON JUNE 12TH
NEW SINGLE “HEADLONG FLIGHT” LANDS AT ROCK RADIO ON APRIL 19TH
Rush has unveiled details of its highly anticipated, new album, “CLOCKWORK ANGELS.” This is the first new collection of original material in over five years and their first studio release via Anthem/Roadrunner records. “CLOCKWORK ANGELS,” the band’s 20th studio album, will be released on June 12th.
The recording of “CLOCKWORK ANGELS” began in April 2010 with Grammy Award winning producer Nick Raskulinecz (Foo Fighters, Deftones) – who also collaborated with the band on their last studio album, 2007’s “SNAKES & ARROWS.” Rush co-produced both records. The first two songs, “Caravan” and “BU2B,” were completed during that first session at Nashville’s Blackbird studios and performed nightly during the wildly successful Time Machine Tour, which ran from June 2010 to June 2011. Work on “CLOCKWORK ANGELS” resumed in the fall of 2011 at Revolution Recording in Toronto after the tour’s finale, with additional strings (arranged by David Campbell) recorded at Hollywood’s Ocean Way Studios earlier this year. Lyrically, “CLOCKWORK ANGELS” chronicles a young man’s quest across a lavish and colorful world of steampunk and alchemy as he attempts to follow his dreams. The story features lost cities, pirates, anarchists, an exotic carnival, and a rigid Watchmaker who imposes precision on every aspect of daily life. The novelization of “CLOCKWORK ANGELS” is being written by science fiction writer Kevin J. Anderson in collaboration with Rush drummer and lyricist Neil Peart.
Rush will herald the release of “CLOCKWORK ANGELS” with a new single “Headlong Flight” landing at rock radio on April 19th. Details of a full-scale North American tour to support the new album will be announced shortly. - Rush.com, April 11, 2012
Tracklist: 1. Caravan (5:40); 2. BU2B (5:10); 3. Clockwork Angels (7:31); 4. The Anarchist (6:52); 5. Carnies (4:52); 6. Halo Effect (3:14); 7. Seven Cities Of Gold (6:32); 8. The Wreckers (5:01); 9. Headlong Flight (7:20); 10. BU2B2 (1:28); 11. Wish Them Well (5:25); 12. The Garden (6:59)More details are included in this exclusive by PROG magazine:
"...And on this new album, Neil Peart got inspiration for his lyrics from a variety of authors, including Voltaire, Cormac McCarthy, Michael Ondaatje, Joseph Conrad and Daphne Du Maurier...In addition, Peart became fascinated with ancient traditions, which also had an impact on the album. 'I learned about an entire set of runic hieroglyphs for elements and processes,' says Peart. 'As the lyrical ‘chapters’ came together, I chose one symbol to represent each of them.' You can see these symbols in the clockface on the album cover, which has been painted by Hugh Syme. Geddy Lee and Alex Lifeson worked on the music in a basement studio, with Lifeson sometimes giving Peart two demos for specific tunes. One of these would feature a drum machine to outline certain rhythmic ideas, while the other had just a click track. And on one song, The Wreckers, Lee and Lifeson swapped over instruments during the writing sessions." - Rush New Album Exclusive - ProgRockMag.com, April 11, 2012Although not yet announced, we have also learned that the album will be available on HDTracks.com in lossless 96kHz/24-bit FLAC.
"Man alive the jive and lyrics, radioactive, don't come near itYou can check it out here.
Temple of Syrinx having the bake sale of the year."
"The track 'Grace Under Pressure' (originally titled 'Blue Zone B') is a prime example of the band's ability to time travel while (musically speaking) keeping one foot in the present. 'Hearing Rush's Moving Pictures, from 1981, was a turning point for me,' says Barnett. The song reimagines Alex Lifeson's 1980s guitar style as a 21st Century invention (think Rush's 'Red Sector A' with a post-Cold War twist). 'The mid-period Alex Lifeson style is where he really focused on chord textures and inner voicings,' says Barnett, who picked up the violin at age five and switched to guitar in his early teens. 'It's not something you hear that often in an instrumental song, because so often those types of songs are about the lead line. In our song the bass is carrying the melody and root notes.'" - Magna Carta Records
"Originally from Toronto's suburban sprawl, Smith has been in Regina most of his life. After losing his father at 12, his mother encouraged his interest in music by getting him his first drum set. Being a huge Rush fan early on contributed to his dedication to learning how to play...Pulling in his Canadian rock roots, Smith decided to cover a Rush song mostly because nobody else is ambitious enough to try. 'I picked a song that was in their late 80s keyboard funk, which was panned by fans. The songs are still there.' Rush’s original 'Mystic Rhythms' is a mid-tempo synthesizer and keyboard-driven song. Smith turned in into the guitar-driven rock song he thought it should have been. He got to gush to Rush's Alex Lifeson about breathing life into the song while recording Jason Plumb and the Willing's new album All Is More Than Both." - Soccermomrecords.comThanks to RushFanForever for the headsup!
"Longoria's most prized possessions are his dogs and his 2008 AL championship ring, but he has another great piece of memorabilia: a drumhead signed by members of the rock group Rush.
Longoria started playing the drums in 2009, when teammate Gregg Zaun had a set at Tropicana Field.
'I never wanted to play in front of him. I'm a perfectionist. I don't want anybody to see me do something and look stupid doing it,' Longoria says. 'I would get to the field two hours early and play his kit without anybody there, at noon. I'd be back there full sweat, and guys would just be getting to the field, and I’d be playing the drums.'
Cool story how he got the drumhead: Rush's singer, Geddy Lee, a huge baseball fan, collects balls autographed by pitchers who have thrown no-hitters. When Rays righthander Matt Garza threw one in 2010, a Lee representative called the Rays to ask for a ball. A Rays clubbie named David Westmoreland (everyone calls him Westy) said, sure, if you send Longoria the signed drumhead." - SportingNews.com, March 24, 2012
Since 1974, Neil Peart has been the drummer and lyricist for the legendary Canadian rock band Rush. Rush holds an enviable position right behind the Beatles and the Rolling Stones for the number of most consecutive gold or platinum studio albums by a rock band. Not too shabby, and neither is his collection of cars, which includes a 2001 BMW Z8, 1964 Aston Martin DB5, 2010 Aston martin DBS, and a recently acquired 1963 Corvette Spilt-Window coupe, which happens to be one of his childhood dream cars.
"Okay this BIG news has come out online, and it's not definite yet ... but we're working to make it happen. I won't comment publicly online about it yet, but since it's out there I wanted you to see this. Neil and I are working on the scheduling, and DW has kindly made him a new kit to try and facilitate. Thanks for your support. Matt" - February 28, 2012
"Metal Evolution is VH1 Classic's top-rated 2012 series to date. The three-disc set, featuring all 11 episodes of the show hosted by noted metal aficionado, anthropologist and filmmaker Sam Dunn, crisscrosses the globe to bring viewers along on an intense journey through the genre's musical history, spanning more than four decades. Special features include an informative interview with Dunn from VH1 Classic's 'That Metal Show.'..Dunn and his partner, filmmaker Scot McFayden, based 'Metal Evolution' on the groundbreaking and much-debated 26 sub-genre 'Heavy Metal Family Tree' that details the music's fascinating and complex lineage. Using this genealogical chart as a road map, each episode unleashes the very essence of metal - beginning with Pre-Metal, traveling through Early Metal, New Wave, Glam, Thrash, Grunge, Nu Metal, Shock Rock and Power Metal and arriving at the Progressive Rock of today as the explosive series finale."- Noisecreep.com, March 22, 2012 - Thanks to RushFanForever for the headsup!