Rush play the Ziggodome in Amsterdam on June 2, 2013.
Pre-sale for tickets goes on sale July 1 at 10am local time.
Tour Package:
http://www.livenation.co.uk/vip/artist/rush-tickets
Tickets:
http://www.ticketmaster.nl/event/100279?CL_ORIGIN=ORIGIN2
General on-sale is July 2nd.
Rush is featured on the cover of the July issue of Holland's Aardschok magazine as well as an accompanying feature story and album review, giving Clockwork Angels a 9 out of 10. For more info click here. - Thanks to Jan Tiemens for the headsup!
"Mick Middles speaks to Rush bassist and singer Geddy Lee about his favourite albums of all times... Geddy Lee's Baker's Dozen is intriguing rather than surprising. Of course, the inclusion of adventuresome power trios like Cream and the Jimi Hendrix Experience might seem obvious and strongly reflect the blues rock of their formative years. Nevertheless, it seems a long road from there to Radiohead and Bjork."- Thanks to Ed at RushIsABand for the headsup!
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| Moving Pictures Goes Platinum, 1981 |
"That both groups, Rush and The Smashing Pumpkins, have hit creative highs while rejecting the notion that 'the hit single is king' was the starting point for a discussion MusicRadar recently had with Lee and Corgan in which the two talked about how they navigate through the murky waters of the music business and rise to the challenges of what Corgan calls the 'iPod era.'" - MusicRadar.com, June 21, 2012
It feels like it’s been a time of all things ‘Rush’ over the past while. As you all know by now, we spent most of the late fall and early winter 2011 recording Clockwork Angels at Revolution Studios in Toronto, Canada. I had selected that room for its cavernous but controlled drum room and I was pleased with the recorded results, as was Neil. The clockwork stage kit is one of the best kits I’ve ever had the pleasure of recording.- Thanks to B-man for the headsup!
The making of this album was a further development of technique and technology and also a return to some old ways. In my work with some of Rush’s older masters like Moving Pictures, I learned that at that time much of the processing for guitars was committed to tape — a good example being the solo in Limelight, which is a stellar performance wrapped in lush sonics. Alex and I applied much of the same methodology for Clockwork, where a song like Carnies for example, with complex modulations, panning, eq and echo were committed as a premix during the recording phase for simplicity and reproducibility down the road. And Alex did some amazing solos in preproduction that were again, tweaked with vintage and modern technology during the recording phase so they would sit well within the production guidelines that the band had set.
Geddy’s recording was also expanded to include some additional vintage gear, if you recall the Fairchild I tweeted while we were in the studio ;-) . The rest of Mr. Lee’s secret sonic recipe will have to stay secret.
“Hugh Syme is a very clever and able designer,” says Lifeson. “He works very closely with Neil on all of the artwork. He has done some really dramatic artwork for this record. It made me smile; I got it.”
“The drum pattern on that song is one that I put together and Neil connected with it. I think I come from a different place than Neil does and sometimes he will find what I do as an interesting approach that he would have never thought of himself. It gave him a launching point.”
"Our intention is to take strings out on the road," guitarist Alex Lifeson tells Billboard.com. Orchestrations, arranged by David Campbell, feature on several of "Clockwork Angels' " tracks, and Lifeson says Rush will employ a small string ensemble, likely eight to 10 pieces, to recreate those pieces and to be added to some of Rush's older material. "It's just something different for us, and I can't wait to hear what it sounds like."- Thanks to Ed at RushIsABand for the headsup!
Lifeson says Campbell will be writing arrangements for the tour, which kicks off Sept. 7 in Manchester, N.H., and will likely appear at some of the shows as well. "Certainly in the beginning he'll be out for a bit," the guitarist says. "I think his intention is to use these musicians he's been working with for a long time, who he trusts, and once they're settled in he doesn't have to be around all the time and he can come out whenever he feels like it."
Lifeson says the production is "still in a planning stage" but promises that "it's a while new show. It's new staging, new lighting, everything is new and fresh about it. I would say that it's an evolutionary extension of what the (2010-11) Time Machine Tour was, but we are definitely freshening it up and bringing and there'll be a lot of new video stuff going on." And, of course, Lifeson and his mates expect to dedicate a considerable amount of stage time to "Clockwork Angels," a concept album that will be followed by a novel co-written by drummer/lyricist Neil Peart and Kevin J. Anderson.
"The set list is quite fluid these days," Lifeson reports. "We're dropping and replacing songs constantly, and that's the way it always goes before we get into rehearsals. There's a great deal of pressure on us now to do the whole record, which we don't anticipate. I think our intention is probably to prepare the whole thing; whether we'll do it or not we're still not sure, especially on the first leg of the tour. There's still a lot of older stuff we want to do, and we've got some great songs lined up from the past. We'd be loathe to drop them to add more of 'Clockwork Angels,' at least on the first leg. It's always nice to switch up on the second leg and make it a little different."
"Paula Turnbull became a noted model in Europe - enough that when I brought her back, she was appalled to know that I didn't have a trailer for her." - Hugh Syme, Chemistry- Thanks to Tony Riviere for the headsup!
"The Best Music in the World like you've never tasted it before".
"Nearly four decades after forming in Toronto, pioneering prog-rock band Rush soldiers on, continuing to engage fans around the globe with powerful albums and virtuoso musicianship.
"The trio's 20th studio album, the steam-punk inspired concept album Clockwork Angels, debuts Tuesday and a world tour begins in July.
"Bassist-singer Geddy Lee sat down with Peter Mansbridge on The National and discussed the band's enduring appeal.
"'What does Rush mean to me? To me it's this little group of experimenters. We're this group of guys who want to see what we can do. It's the simplest way I can put it,' Lee told CBC News.
"As other groups that started out in the same era began breaking up, Lee said he and his bandmates — guitarist Alex Lifeson and drummer Neil Peart — became intrigued with the idea of staying together.
"'We wanted to see what the fruits of a long-term relationship can do. Here's a band 38 years on and we are pushing it, to see where we can go as a band.'" - CBCNews.ca, June 11, 2012
“Part of my responsibility as a producer – the biggest part of my job, really – is to be there for the artist and to help them see their vision through. This album was Rush’s vision. It wasn’t mine. I was there to make sure it was played as brilliantly as they could play it, sung as high as Geddy Lee could sing it, and have the guitar solos bring me to tears. I feel like we achieved all of those elements. There’s so much emotion that we captured, just total from-the-gut expression. Three dudes making music – that’s Rush!” - Nick Raskulinecz, MusicRadar.com, June 11, 2011
"It’s a youthful game and you can let yourself get old with it but one of the secret rewards of being in a band or being a musician or that you’re kind of allowed to side-step the rules of your adulthood. Rock is such a teen-connected thing. We think in terms if you’re going to rock you better have some youthful energy there or it ain’t rock no more."- Thanks to RushFanForever for the headsup!
"He shot us on the Monday and I guessed he passed away on Wednesday morning," said Lee, quietly. "It was a big, huge shock. I've known him since he was 15 so he was a lifelong buddy of mine, really. The last 35 years I've known him. It was a terrible blow to lose him. I just miss him and it just feels wrong that he's not here. I just can't believe he's gone frankly. It just doesn't make sense."
The UK's Planet Rock is giving away a ton of prizes over the next few days:"Rush release their long awaited new studio album CLOCKWORK ANGELS as a stunning, comprehensive CLASSIC ROCK MAGAZINE FANPACK on 11 June, and we are giving away an array of fantastic prizes all this week including copies of the fanpack, subscriptions to Prog Magazine, a subscription to Classic Rock Magazine and, best of all, a beautiful autographed Rush Time Machine Tour drumhead....For complete details visit Planet Rock.
Decibel magazine has posted a new story online, Decibrity Playlist: “Best of” Rush:"We may not write about these Canadians very often, but it’s undeniable that Rush has had a profound effect on legions of artists that we do cover. So to celebrate next week’s release of the ubiquitous band’s 19th (!) full-length studio album, we compiled a 'best of' Rush playlist that features tracks hand-picked by some of the many musicians who have been slappin’ da bass over the years."- Thanks to Ed at RushIsABand.com, who provided Decibel with background info on the artists featured!
"Be Part of An Intimate Q&A with Rush! The Mighty Q presents the world album premiere of Rush’s Clockwork Angels, and you could be there when Rush stops by the Q107 World Headquarters! To win your way into this exclusive event, enter right now! If you’re lucky, you and a pal will join Geddy Lee and Alex Lifeson live at Corus Quay with host Jeff Woods for an intimate Q&A about the new album!" - Click here to enter.- Thanks to RushFanForever for the headsup!
"As the old joke goes, if an entry for progressive rock drummer were in the dictionary, it would be Peart's face that you'd see. Neil's a bona fide cultural touchstone, nearly forty years into his career - but somehow he seems more active than ever. Last year saw the Rush drummer/lyricist appear on MD's December cover, release the book Far and Away: A Prize Every Time, participate in the legendary Canadian band's Time Machine tour, release the DVDs Taking Center Stage and Fire on Ice: The Making of the Hockey Theme, and anchor the first drum solo week on Letterman.-Thanks to RushIsABand for the headsup!
"[Cline] has hidden an “Easter egg” in the text of both the hardcover and paperback editions of Ready Player One. If readers can find this hidden clue, it will lead them to the first of three increasingly difficult video game challenges. The first person to complete all three of these challenges will win the grand prize, a 1981 DeLorean automobile, complete with a Flux Capacitor! Ernest Cline will be driving this DeLorean Time Machine across the country on his book tour this June, so contestants will have a chance to see the grand prize in person at each of his book signings." - For details visit Ernest Cline's blog.
"The bassist and singer was dismissed long before the Canadian outfit made their first recording. It happened even before they’d become a three-piece. The band’s new manager, Ray Danniels, who is still with them, carried out both the firing and re-hiring...He says: “That was pre-history really. We hadn’t recorded yet and were still in our embryonic stage, and Ray came along. He had no real reputation yet as a manager or anything. He was just kind of an agent working in Toronto.- Thanks to Tony Riviere for the headsup!
“So he started directing the band and he just thought I wasn’t suitable, for whatever reasons he had. I don’t know whether it was the way I looked, or my religious background – who the fuck knew?
“Anyway, he influenced them and they went along with it, Alex Lifeson and John Rutsey, and I was out. They kicked me out.”
Rush were still laying the foundations of the band they’d become playing local drop-in centres with Lifeson, Rutsey and Lee’s brother-in-law Lindy Young on piano. After being dropped Lee formed a new outfit and joined them on the low-end live circuit.
“I started a blues band,” he says, “and I was, frankly speaking, doing better than they were. Then I got a call from John and he said, ‘Can we get together?’ Basically, ‘Can you come back? We’re sorry.’
“They had to go through whatever they went through. We tried it again and that’s really when the band started. We became this three-piece and we were really going in the same direction.”
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