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"Rush has typically been more associated with their unrivaled musicianship and their restless ambition to conquer every musical genre, sometimes in the span of one song. The band acknowledged that immediately in their speech, which was delivered entirely by drummer Neil Peart. 'First of all, songwriting award? Rush? There must be some mistake,' Peart said to laughter from a crowd that had just serenaded the group with a standing ovation. 'We continue to inspire each other and create music that inspires us all.'" - Rush, Robert Charlebois join songwriters' hall of fame, March 29, 2010
"Millions of record sales notwithstanding, Rush's songwriters have rarely earned income from other artists' covers of their famous songs. The complexity of the arrangements built into Rush's work — sudden time, tempo and key changes — are beyond the grasp of less ambitious or practised musicians, and the soaring melodies and vivid narratives are forsaken...'I understand why no one covers our songs,' Lee said. 'They sound daunting. But, as Moon proved in his ‘Subdivisions' video, most of the songs can be stripped back to their simplest form, and find a new life. When we tried to write songs that are simple and uncomplicated, it didn't work. One of our producers used to tell us, 'You'd have a lot of hits if only someone else recorded them.''" Toronto Star, March 28, 2010
"Peart, who says he would have been an English high school teacher if he hadn’t become a rock drummer, is pleased at the Rush songs chosen for induction, particularly Subdivisions. 'It's a very unusual song construction lyrically and musically that we managed to make work,” he said. “It was written at a time when we weren’t working, so to speak. We were mixing a live album and we just started playing around and wrote a song for fun. Although it’s very serious in it’s musical structure, one of the most complicated actually that we’ve had in terms of arrangement drum part alone, it’s a really intricate drum part to play and consequently I still love playing it almost 30 years later and that’s a good testament.'" Jam!Music, March 26, 2010
"Thousands of you voted and now we know once and for all that Thin Lizzy's Live And Dangerous is the Greatest Live Album of All Time. The 1978 album has been repeatedly accused of containing more overdubs than live material, but that doesn't hide the fact that this is a definitive "live" record - it captured the band's stunning live energy and sound absolutely perfectly across a tracklist that probably couldn't have been bettered, and that, after all, is everything we could ask for. Deep Purple were so close to stealing this one at the last minute with their classic Made In Japan, and UFO's Strangers In The Night wasn't too far behind either. Rush deserve a notable mention for being the one band who's fans successfully sabotaged their chances for the Top Ten by splitting the vote rather spectacularly across three albums in the Top 40." - Planet Rock.com
"Their Order of Canada is probably safe. But Joan Jett says members of Rush were anything but polite Canucks when the Runaways opened for them in the 1970s. In the new film biopic about the band titled The Runaways, Jett (played by Kristen Stewart) is derided by an unidentified rock group they’re opening for. She later retaliates by breaking into their dressing room and urinating on one of their guitars. Jett doesn’t hesitate to identify the real-life inspiration for the scene. 'Rush! They sat on the side of the stage and laughed at us,' Jett says. 'That sort of stuff pisses me off.'" - Joan Jett, Jam!Music, January 29, 2010
"Caress of Steel, Rush's third album narrowly edges out their fourth, 2112, as my R2D4. The sparse arrangements showcase their playing; in particular, Alex Lifeson's chord-based guitar style is shown off far better here than on their later, more complex albums. With Caress and 2112, Rush exploited the album format with longer, more developed operettas than were possible with their later focus on radio-friendly singles. Yes, 'I think Im going bald' is woefully out of place, the lyrics a little pretentious, and Geddy Lee's vocals are an acquired taste, but the music and sound are incredible. Rush at their very best."
"The evolution of Paragon Brilliant is about more than spit and polish. It began with the pursuit of the openness and responsiveness of an older cymbal, right 'out of the bag.' I have always found that brand-new cymbals have a certain 'tightness,' both in their physical response and in their sound, and it takes a few shows to play them in. Then they loosen up and start to 'dance' on the stand, and the swell of sound from attack to decay would become smooth and open..."- Neil Peart, Sabian.com, December 22, 2009
"Of course, there's the de rigueur appearance by Rush guitarist Alex Lifeson, here playing a drunken, undercover cop posing as a transvestite in a gay-prostitute alley (centered around a Chip Wagon that serves alcohol -- man, Halifax is one weird town). The character may indeed be the same cop Lifeson played in the previous Trailer Park Boys movie, showing his true colours." - Edmonton Sun, September 25, 2009 - Thanks to RushIsABand.com